A Quote by Sebastian Junger
People ask me about 'The Hurt Locker' a lot, and it's an incredible piece of filmmaking - as are 'Band of Brothers' and 'Platoon' and 'Full Metal Jacket' and 'Apocalypse Now.' But they're not necessarily true to war in a literal sense. What they are, really, are brilliant movies about Hollywood's idea of war.
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Historically, Vietnam movies have been profitable. All of them. 'Platoon,' 'Full Metal Jacket,' 'Apocalypse Now,' 'The Deer Hunter.' You're looking at movies that have been not pretty successful, but very successful. The foreign numbers have been extraordinary.
The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
I love Apocalypse Now because it's a war movie, but yet it's not really a movie about war.
I don't believe war is a way to solve problems. I think it's wrong. I don't have respect for the people that made the decisions to go on with war. I don't have that much respect for Bush. He's about war, I'm not about war - a lot of people aren't about war.
When I talk about intersex, people ask me, 'But what about the locker room?' Yes, what about the locker room? If so many people feel trepidation around it, why don't we fix the locker room? There are ways to signal to children that they are not the problem, and normalization technologies are not the way.
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
The thing that had fueled these utopian communities was a literal belief, and not just a general sense of optimism, that the earth was about to become a paradise. That idea cannot hold water after the war.
One of the reasons it's important for me to write about war is I really think that the concept of war, the specifics of war, the nature of war, the ethical ambiguities of war, are introduced too late to children. I think they can hear them, understand them, know about them, at a much younger age without being scared to death by the stories.
I know it's inevitable that there will be those who compare 'The Pacific' to 'Band of Brothers.' For years, the Pacific theater of war was not talked about as much as the European theater, yet it was part of the same war.
So about 80 years after the Constitution is ratified, the slaves are freed. Not so you'd really notice it of course; just kinda on paper. And that of course was at the end of the Civil War. Now there is another phrase I dearly love. That is a true oxymoron if I've ever heard one: "Civil War." Do you think anybody in this country could ever really have a civil war? "Say, pardon me?" (shoots gun) "I'm awfully sorry. Awfully sorry."
Anything about Iraq is a death sentence at the box office... You can't make movies about an unpopular war while the war is still going on - people don't want to pay to get depressed, though they sometimes will go to movies to get educated.
Most politicians - those people who live, eat and breathe politics - like to sit around and talk about politics and tell political war stories. Reagan didn't do that. His war stories were movie war stories and Hollywood war stories. He loved that.
People say to me, Hey, Bill, the war made us feel better about ourselves. Really? What kind of people are these with such low self-esteem that they need a war to feel better about themselves? May I suggest, instead of a war to feel better about yourself, perhaps... sit-ups? Maybe a fruit cup? Eight glasses of water a day?
The 1930s Hollywood was capable of hurting me so much. The things about Hollywood that could hurt me (when I first came) can't touch me now. I suddenly decided that they shouldn't hurt me - that was all.
Unfortunately, we have warring in the world, so the youngest minds, the brilliant minds, are sent off to war. I think that, you know, you have brilliant people with great possibilities and that's why I really am not really for war. I really am not.
With a book called 'Keeping Score,' I really did want to write a book about the Korean War, because I felt that it is the least understood war in the American cultural imagination. So I set out with the idea that Americans didn't know much about the Korean War and that I was going to try to fix a tiny bit of that.
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