A Quote by Sebastian Maniscalco
I'm like, 'Wow, I guess a lot of people didn't have this type of upbringing'... that old world technique of, you know, nothing's given to you, you've gotta work for everything you've done... It's just different from what I'm seeing today.
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I don't think I could ever stop doing serious movies and just do comedies, or vice versa, but there is something cool about going to work everyday and you're just trying to make your friends laugh. That's nice work if you can get it, you know what I mean? It's different than going to work and knowing that I've gotta slap someone in the face today, and then I've gotta cry, and someone's gonna die, I've gotta get myself to that place.
A beautiful woman in our culture, and I would like to say, you know, this was different in 1962, but it still exists today - I know a lot of these women -treats different in a different way; meaning that if you're a beautiful woman, you're incredibly powerful within our culture. The world operates differently for you. Then, at a moment in time, and it has nothing to do with you, it's like the carpet is just ripped out from under you, and the way that you've operated in the world no longer works.
I tend to be known for different things. I mean, there are a lot of comics or sci-fi fans out there who sort of think of me doing that kind of work, but there are just as many people who like the CD covers I've done, or the children's books I've done. So different people like different things.
Not that I want to put the entire rap music style down - I just don't like it. And I know somewhere there's gotta be another guy like that. There's gotta be a guy just like that - just like me. There's gotta be somebody, somewhere... Maybe, maybe an assassin type.
You gotta understand also that teenage kids just don't have the experience and the studio technique. I mean, in those days it wasn't electronic like it is today, where you can hit a drum and, you know, the engineer does it all. In those days, everything was live and you had to have decent sounds, and through the years you get to weed out what's bad and what's good.
It feels good, you know. It feels like you're out there, you know, doin' your own thing, know what I'm sayin'? It's like, people can't really compare it to anything, and that kinda feels good. It opens me up to a lot of different arenas, a lot of different type of situations, you know like Tony Hawk will call. You know what I'm sayin'? I can just image if my songs was about shootin' up, and like sellin' cocaine, I doubt Tony Hawk would be callin' you know?
I live near Thompson Square Park, and there are a lot of colorful people I see in the park - a lot of different personalities and homeless people - you get to know them. And every now and then, there is suddenly someone who is no longer around, and you're just like, 'Wow,' but you never really know what happened to them.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I think I'm the happiest person in the world, I swear to you. I'm like continuously catching my mind, like, 'Wow, like, everything is perfect in my life, there's nothing wrong.' I'm just so scared to even admit it because I want nothing to go wrong.
I do get pumped up about it when I go different places and people are like 'come on! You gotta fight again! You gotta fight again!' But it's a lot of work.
Every once in a while I have this revelation like, "Wow, a hundred years ago the world wasn't black and white." It was in color. Photographed in a certain way, people look from another time. We are just not used to seeing ourselves in that context. Something that's fascinating about photography is you can isolate a moment, tear it out of its context, and see it afresh. Another realization is that, "Wow, there's a big world out there, and people are still doing all sorts of the things that they used to do." We don't just live in iPad land.
You gotta have a schedule, you gotta have a team that's passionate about seeing you do the things you say you wanna do. When it comes to delivering this, it takes a lot of work and I can't do that on my own.
I think the best thing about being pregnant would definitely have to be seeing just my belly grow and seeing, like, wow, there is, you know, something inside of me.
I'm connected with a lot of different paranormal groups out there worldwide, a lot of different spiritual people. My networking over the course of the past 40 years has really grown where I deal with quite a bit. There's a lot of work that I do behind-the-scenes that I just don't ever talk about or things that don't always come to the forefront as far as investigating and getting involved with spiritual people, meaning any type of clergy, because I do work with a lot of them behind-the-scenes.
For better or worse, I'm interested in just about everything: every different type of music I can imagine. I can never see a reason to choose just one type of music at the exclusion of everything else. Different types of music are capable of being rewarding in different kinds of ways.
Looking back on high school, I just remember specific scenarios and thinking, wow, that was such a big deal at the time, but right now it feels like it never even happened. So I guess if I can give any advice, I would just say that everything will pass, and it'll feel like it was a big deal over nothing.
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