A Quote by Sebastian Stan
I always look at auditions as not even getting the job as much as I'm just trying to connect with this casting director so they remember me for next time.
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I did so many interviews and auditions for films, and it was just zilch. Nothing I did impressed anybody! I could just feel it. It was always, 'Okay, thank you, Mr. Lloyd.' Then, out of the blue, 'Cuckoo's Nest' came to cast. A casting director who sent me up for different things over the years sent me up for that, and it just clicked.
Casting director was a part-time thing, which later became a full-time job because there was a lack of casting directors in our industry and people were looking for professionals to do it.
I more remember the periods of time when I wasn't getting any auditions. That's more what I find painful in memory; that feeling of not even getting the chance to try and be rejected.
As an actor, when you walk into a room to audition, you get five minutes with a casting director, who doesn't even look at you, most of the time.
Your agents and your managers will always say stuff to you like, "It's really important to make a good first impression on a casting director. And even though you didn't get that job, because you did well that means they'll keep bringing you back in." But when you really just need a job to pay your rent, that stops being very consoling.
I've done auditions where the casting director is taking the paper out of my hand in the middle of reading.
I didn't have the best relationship with my dad. I was bullied in school, picked on. I remember the first time of just trying to connect with girls. It was just rejection after rejection. So I always felt ugly.
Auditions are so much fun. A lot of people dread auditions; they think they have to do it in order to get the job. I don't really mind if I don't get the job, as long as I get to do something interesting in the audition. It makes me feel more creative as a person.
I audition for almost every role. I get into auditions even when I am just producing a film. Not that someone would fire me, but I keep trying various tests and keep working till I learn the job.
Finally, I was called for "The Office" and I was really lucky, because a lot of the shows that I went out for I would work my way up from, like, an audition with the casting director to the director to the producers to the studio, I'd go through seven auditions, and then they'd give the role to a famous actress.
I'm always trying to want to connect with fans and to connect them to each other. I mean, there's other things that I'm trying to do, but in terms of connectivity, that is really important to me. And I am a smaller artist still and there are people that are super passionate about my music, but not everyone in their circle knows about me. But yeah, I've always trying to find ways to connect fans to each other.
A lot of the stuff that's happening now, I can trace back to 'Death of a Salesman.' Francine Maisler, the casting director, saw 'Death of a Salesman' and called me in for 'Unbroken.' The casting director of 'Normal Heart' had seen 'Salesman' too. I look back on it now, and it's like one thing led to another; it was a chain reaction.
I got an internship with the casting director of The Girl Next Door. I would hold the clipboard and help them in their casting sessions and get them lunch.
Allison Jones, a big casting director out there, was like, 'They're casting 'The Daily Show' right now - you should submit a tape.' I remember leaving school to go shoot an audition.
Being a director, whether you're in rehearsal or you're in auditions or you're in a creative meeting, is so much to me about being present in the moment. There's a sense of time stopping.
I'm not going to pursue it the way that actors pursue it which means going to all of the auditions and getting a job and all that stuff, because I don't really need to get a job because I have a job as a writer/director. That's how I make my living mostly now. So I don't need to make a living as an actress.
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