A Quote by Sebastiao Salgado
I don't believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.
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There is no one way of photographing anything. I don't believe there is even one best way of photographing any given subject.
I believe that God has put gifts and talents and ability on the inside of every one of us. When you develop that and you believe in yourself and you believe that you're a person of influence and a person of purpose, I believe you can rise up out of any situation.
My way in for photographing people is really their work. I'm always interested in what people make, and then I photograph the person. Sometimes the person is a disappointment. But that's the risk. It informs me a lot about the character of a person if I know their work first.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
Usually, people that I like to work with are people that I believe in more than they believe in themselves, and they just need that extra boost and the person to give them a little more time and understanding and introspection into their own character to find that box office that lives inside of them.
Snapshots that have been taken of me working show something I was not aware of at all, that over and over again I'm holding my own body or my own hands exactly like the person I'm photographing. I never knew I did that, and obviously what I'm doing is trying to feel, actually physically feel, the way he or she feels at the moment I'm photographing them in order to deepen the sense of connection.
I hate having my photograph taken and I try to keep that in mind when I'm photographing other people. But the best photos that I've taken are the ones when people have forgotten that I'm there. If I'm in a recording studio with a musician, for example, maybe I'm not photographing them in the middle of a take but I can just get that stolen moment of them resting and they glance over to me.
I can see myself as a very old man in a terrific wheelchair. Only, I won't be photographing the tree outside my window, the way Steichen did. I'll be photographing other old people.
But the Beast was a good person...the Prince looked on the outside the way the Beast was on the inside. Sometimes people couldn't see the inside of the person unless they like the outside of a person. Because they hadn't learned to hear the music yet.
I think when you're photographing - when anybody's photographing another person in a private situation, it's a kind of a seduction but it's not always a sexual seduction... I feel like when Jack [Welpott] was doing it, it was a sexual seduction and when I was doing it, it was more of a psychological seduction in order to get them to cooperate with me... Not because I wanted them to spread their legs or... be, you know, Wanna sleep with me? , or whatever.
I believe a person's style is an expression of who you are - way more than dancing.
It doesn’t matter if you use a box camera or a Leica, the important thing is what motivates you when you are photographing. What I have tried to do is involve the people I was photographing. To have them realize without saying so, that it was up to them to give me whatever they wanted to give me . . . if they were willing to give, I was willing to photograph.
Of the countless ways to feel old in your 40s, perhaps none is quite as perplexing as seeing a young person trendily decked out in 1980s-style garb and saying to yourself, 'I can't believe that look is back in style. It was bad enough the first time around!'
I believe that children are our future. Teach them well and let them lead the way. Show them all the beauty they possess inside.
Inside every fat person there's a thin person looking to get out - They've just eaten them.
Beauty is so within. I don't care if you're the most attractive person on the planet...if you're not good inside, it will show. You fall in love with people from the inside out.
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