A Quote by Sebastiao Salgado

In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen. — © Sebastiao Salgado
In GENESIS, my camera allowed nature to speak to me. And it was my privilege to listen.
If suicide is allowed then everything is allowed. If anything is not allowed then suicide is not allowed. This throws a light on the nature of ethics, for suicide is, so to speak, the elementary sin. And when one investigates it it is like investigating mercury vapour in order to comprehend the nature of vapours.
There are people a lot smarter than me investigating nature versus nurture who would have a lot to say about that, but I think it's an enormous privilege to be born into a family where my parents had enough time to read to me and listen to my stories and foster my imagination. It's a privilege to have time to investigate your imagination. And not to have, like, an amount of stress on you as a kid that prevents you from maturing creatively.
It is the province of knowledge to speak, and it is the privilege of wisdom to listen.
Teach your children to listen carefully and to speak thoughtfully. The best way to teach this is to listen carefully and speak thoughtfully to your children, from the time they are babies. Take their questions and ideas seriously... learning to speak and listen as if our words matter is fundamental to education. Dialogue is not the same as mindless chatter. Above all, listen, listen, and listen to your kids.
I don't know of a greater privilege than being allowed to tell a story, or to listen to a story. They're the only thing we have that can trump life itself.
Most people think it's a linear relationship: I speak, you listen. Actually, it's a circle, because the way you listen affects how I speak, and the way I speak affects the way you listen.
Do not be surprised. I do not like writers and I cannot stand their lies. They speak so as not to listen to themselves speak. If they did listen, they would know that they are nothing and then they would no longer be able to speak.
The basic rule of human nature is that powerful people speak slowly and subservient people quickly - because if they don't speak fast enough, nobody will listen to them.
Suddenly this camera, this thing, allowed me to move around the world in a certain kind of way, with a certain kind of purpose. (On receiving a camera for her twenty-first birthday)
People get anxious about dividing sorts of poetry, say Confessionalism from political poetry. But Confessionalism is very much an expression of racial privilege and of class privilege. I don't think it's always a blind expression of these privileges but it does have its genesis in them, in the politics of them.
It is the privilege of adults to give advice. It is the privilege of youth not to listen. Both avail themselves of their privileges, and the world rocks along.
I found that the camera was a comforting companion. It opened up new worlds, and gave me access to people's most intimate moments. I discovered the privilege of seeing life in all its complexity, the thrill of learning something new every day. When I was behind a camera, it was the only place in the world I wanted to be.
To me, this is the singular privilege of reading literature: we are allowed to step into another's life.
There's part of me that feels a privilege not to do music, but to do what everybody should be allowed to do, which is to do what you're driven to do.
The only event in the history of our species that compares with this one is Genesis. And this is a new kind of Genesis, the Genesis of our species into conscious awareness.
The nature of making music and making art, what motivates me is that it's interesting. It's interesting to listen, to really listen to other people's point-of-view. Take in their work. Listen to the way they sing. Listen to the way they write lyrics. What they are trying to express.
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