A Quote by Sebastiao Salgado

The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph. — © Sebastiao Salgado
The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
A photograph records both the thing in front of the camera and the conditions of its making... A photograph is also a document of the state of mind of the photographer. And if you were to extend the idea of the set-up photograph beyond just physically setting up the picture, I would argue that the photographer wills the picture into being.
The process must be concealed from - non-existent for - the photographer, who by definition need think of the art in the taking and not in the making photographs... In short, all that should be necessary to get a good picture is to take a good picture.
What do we need all that for?”If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good. I firmly believe Rebel Without A Cause is such a picture.
We all create expectations of what we would like to happen after a decision is made. The picture in our mind's eye might have served a valuable function in helping to make a decision. But once the decision is made, let the picture go. Since you can't control the future, the picture can create unhappiness if it's not fulfilled. Disappointment may make you miss the good that can come out of every situation in which you find yourself.
Everybody can take a good picture. Everybody is interesting. Everyone has an interesting face. Some people are more difficult or more nervous or more tired. When you do a movie, you have action, you're talking, you're moving. You don't see the camera. Taking a picture with a photographer, you don't talk, it's more difficult than in a movie for your body to relax, to be yourself.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
It's good that everyone has an opportunity to take pictures, the chance to be a photographer. Some are good, too. But the bad thing is that it's very, very difficult to take a great picture. Everyone can take a good picture - even a child - but it's hard to make a great one.
Any good movie is filled with secrets. If a director doesn't leave anything unsaid, it's a lousy picture. If a picture's unsaid, it's a lousy picture. If a picture is good, it's mysterious, with things unsaid.
I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.
The thing that makes writing so difficult is you don't have the element of serendipity. At least with a photograph, you can set up the camera, and something might happen. You might be a lousy photographer, but you can get a good picture if you just take enough of them.
A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph.
I feel like the quality of privacy and respect of people's personal space has been completely disintegrated. You can ask to take the picture. I will be so glad to take the picture and pose and look good for the picture.
The Union, and the Constitution, are the picture of silver, subsequently framed around it. The picture was not made to conceal or destroy the apple, but to adorn and preserve it. The picture was made for the apple-not the apple for the picture.
Santa Sangre is the picture I love the best, myself, because El Topo and The Holy Mountain I made with my head, and Santa Sangre I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.
'Santa Sangre' is the picture I love the best, myself, because 'El Topo' and 'The Holy Mountain' I made with my head, and 'Santa Sangre' I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.
Every relationship between persons causes a picture of each to take form in the mind of the other, and this picture evidently is in reciprocal relationship with that personal relationship.
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