A Quote by Sebastiao Salgado

What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. — © Sebastiao Salgado
What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this.
What I want is the world to remember the problems and the people I photograph. What I want is to create a discussion about what is happening around the world and to provoke some debate with these pictures. Nothing more than this. I don't want people to look at them and appreciate the light and the palate of tones. I want them to look inside and see what the pictures represent, and the kind of people I photograph.
I don't want anyone to appreciate the light or the palette of tones. I want my pictures to inform, to provoke discussion - and to raise money.
A good story should provoke discussion, debate, argument...and the occasional bar fight.
I always set out to tell a good story, to create a character that young people can relate to, place them in a situation that will be interesting, intriguing, eventually suspenseful. But what I find is that after I do that, then there are themes that emerge, which teachers can then use to provoke discussion and debate.
I try with my pictures to raise a question, to provoke a debate, so that we can discuss problems together and come up with solutions.
As a woman, sometimes when I am in discussion with a director or producer, there is some kind of a different politics happening. Basically, 'I know more than you'. I am always on the lookout for that. I don't want to get sucked into that. I am very quick to respond to that.
My favorite novel in the world is Frankenstein. I'm going to misquote it horribly, but the monster says, "I have such love in me, more than you can imagine. But, if I cannot provoke it, I will provoke fear."
In voicing so much is left to your imagination to create the world around you like that. It's really the essence of what's so fun for, I think, many people when they first start to want to be an actor, is that they realise they enjoy making up a world around them to exist in, a whole situation and a whole way of being. And even more so than theatre, animation requires that because there's just nothing to go on. It's in your head and your heart or it's not there at all.
For all the talk of my pictures being narratives or that they're about storytelling, there's really very little actually happening in the pictures. One of the few things I always tell people in my pictures is that I want less - give me something less.
I would say it's more important who the treasury secretary is than who the vice president is. If you want to have a debate here, I'd like a debate between potential treasury secretaries than the vice presidential debate.
The scientists are virtually screaming from the rooftops now. The debate is over! There's no longer any debate in the scientific community about this. But the political systems around the world have held this at arm's length because it's an inconvenient truth, because they don't want to accept that it's a moral imperative.
Good directors don't answer questions with their work. They generate debate and create discussion.
I want film stories to provoke a question in people about what's going on emotionally around them and empower them in some way or ask them about themselves.
To create the reality of space with this sense of suspension: nothing's happening, it's endless; we're traveling at 28,000 kilometers an hour but nothing's happening. Nothing! And you have to do that! There are all these rules you have to follow, I've never known anything like it.
If you want to provoke, you should provoke someone who is stronger than you, otherwise you are misusing your power.
There is no debate among any statured scientists of what is happening. The only debate is the rate at which it is happening.
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