A Quote by Sebastien Foucan

I don't like caricature. I don't like extreme, I don't like that. — © Sebastien Foucan
I don't like caricature. I don't like extreme, I don't like that.

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In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.
I am like a caricature of myself, and I like that. It is like a mask. And for me the Carnival of Venice lasts all year long.
I like to be alone, I mean, I really love to be alone more than anything else, and I don't really like to talk about myself to death, and I don't like to share too much, and I don't really have dreams of extreme fame or even extreme respect.
What can often happen when doing accents is that you go too far to one extreme, so it becomes a caricature. It's important to bring an accent back to a natural organic place so you're still speaking like you would speak, just the sound is different. But your rhythms are not.
What was called extreme 20 years ago definitely isn't extreme anymore. When I started, I remember people saying, 'Oh my God, I can't walk in that!' It was like, three inches - they look like kitten heels now.
My guilty pleasure is I like to watch a lot of HGTV. I really like watching design shows about houses, like extreme homes. Like buying a bridge and turning it into a house or something like that. I really am interested in home design or something like that... architecture.
I will admit that I purposely stress myself out. But I think I like stressing myself out. There's a glamour to, like, 'I've got to get to the airport!' I just like the caricature.
Extremes, though contrary, have the like effects. Extreme heat kills, and so extreme cold: extreme love breeds satiety, and so extreme hatred; and too violent rigor tempts chastity, as does too much license.
I don't know why it is, but I do like dancing in the extreme situations. I like that noise, I like that intensity. For some reason, it's what I respond to in terms of my taste and of my instincts.
I like extreme athletics, extreme meditation and extremely beautiful women. Perhaps I'm an extreme person, or it's simply my Karma. But I must tell you, as if you hadn't read about me in a newspaper or seen me on a magazine format television show, there are extreme risks involved with all three.
We may say that hysteria is a caricature of an artistic creation, a compulsion neurosis a caricature of a religion, and a paranoiac delusion a caricature of a philosophic system.
I'm not like a persona. I'm not a caricature of myself.
I feel like a lot of girl characters in anything usually end up being either extremely tough or extremely ditzy. There's always some sort of extreme personality trait that they have. I like to try writing girls that feel like normal people, like normal women that you'd meet in real life.
We all carry extreme heartache and demons. Instead of pretending like we don't, I like to be honest and real.
I have a hard time with extreme imagery. Like I can't watch horror movies or anything like that.
Be like Sasha Fierce. Be like Miley Cyrus. Be like Rihanna. Be like Lady Gaga. Be like Rita Ora and Sia. Be like Madonna. I cannot be like them, except to the extent that they are already being like me.
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