A Quote by Seimone Augustus
I don't think there is a city we've been to that someone didn't know who I was. People know who I am before I touch the ball.
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It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
I think it's important to know what you're going to do with the ball before it comes to you. So you're always thinking before hand and when the ball comes to you to can make the pass straight away.
I'm always playing someone grumpy or sad or grieving or downtrodden or stoic. As people get to know me within the industry, they know it's completely the opposite of what I'm like because I am a hyperactive, energetic ball.
I don't think people have ever really been in touch with science. They're drawn to it, but they don't know why they're drawn to it. For example, you may be blown away by the structure of something, like a soccer ball or a geodesic dome, with its hexagonal shapes.
I think - you know, I want to intimidate people when I'm on the field. I want people to be scared of me. That's just kind of the nature of who I am as a person and player. But I also know that you have to be emotional. You have to be in touch with your feelings. I think that's important.
It used to be irritating just because someone can meet you and before they would get a chance to get to know you, they’ll go find someone else’s story about who I am. For me personally, I just always think it’s more interesting to get to know the person myself.
People in my inner circle of loved ones - we're tight and I've never misjudged someone as far as I know; I can feel someone's intentions, I know their intentions before they probably are honest enough with themselves to know it, so that's my strength.
I know the college rule is if they push you out of bounds, you can come back in and catch the ball, but I think the NFL rule is it doesn't matter how you get out of bounds, you can't be the first one to touch the ball. That's what I think it is, I'm not really sure on that.
I am a relaxed guy. I play that way, and I can't change my style. I watch games and see guys who panic on the ball - they look so nervous. I can be calm, because I sometimes know what I want to do before the ball comes to me.
The tennis ball doesn't know how old I am. The ball doesn't know if I'm a man or a woman or if I come from a communist country or not. Sport has always broken down these barriers.
As for Iniesta, he does things in training and in games that I've never seen before. He is an example to follow. You think he might touch the ball four times and yet he only makes one touch. He's unpredictable.
I think people who know ball and know me know that I'm a good coach.
I think that I'm a powerful female, a young singer-songwriter with an energy that's not really been done before. I think that's what people need to know about, you know.
Everyone that I have taken the mick out of, or told a story about, is someone I know properly or someone who has been a team-mate, and I know can take it. I am not stitching anyone up.
It is immature and lazy to imagine we know everything there is to know about someone before we know that someone. We don't know their stories, their histories, their real live human feelings. We don't know their favorite movies and best memories and what makes them afraid. It is unfair to take one fact, one thing they've said or we heard they said, or one thing they wrote, or someone else's experience, or a group they identify with and make a character sketch. If people did that to us, the picture would be so woefully incomplete, we wouldn't even recognize our own description.
I don't know why people feel that I am snooty. I am not a person who has ever given an interview on image building. I have never been that person, as I am very confident of what I do. People do PR, but I get completely foxed. I don't know how to do it. I stay away from the limelight, as I think my work should speak on my behalf.
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