A Quote by Selima Hill
When I was first published it was like having people rushing in coming to find out where I was hiding. Scary!
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Nowadays, if somebody in America is feeling alone and wants to find a coming out story, they just search 'coming out,' and they'll find millions of first-person examples of people telling their story.
The first time you find yourself having a conversation about moss stitch with a group of people who aren't desperately trying to escape you ... it's like coming home.
I was first published in the newspaper put out by School of The Art Institute of Chicago, where I was a student. I wince to read that story nowadays, but I published it with an odd photo I'd found in a junk shop, and at least I still like the picture. I had a few things in the school paper, and then I got published in a small literary magazine. I hoped I would one day get published in The New Yorker, but I never allowed myself to actually believe it. Getting published is one of those things that feels just as good as you'd hoped it would.
When I wrote my first book, I was too scared to find out how people got books published. I was convinced that you needed some sort of magical potion that I didn't have.
It's scary having a baby, especially as a first-time mother. I think a lot of women can relate to having a moment during the process where you're like, 'You know what? No thanks, I don't want to do this anymore.'
Having the urge to write a novel, especially if you've yet to be published, is like having a medical condition impossible to mention in polite company - it's a relief simply to know there are fellow-sufferers out there.
With all the technology we're inventing and what they're coming up with scientifically, people are having longer lifetimes. It's scary, but in the same sense it's also very exciting.
A book coming out into the world can be a harsh, harsh time. And your feelings are on the line. Everything that publication is about is really not what your writing is about. Your writing is coming out of something else, and publication and being in the public are something else. And those of us who have published, in whatever way we're published, are very fortunate.
I think that's my favorite thing about making scary movies, watching people watch them. When my films come out, I like to cinema hop and know what moments are coming up, I pop my head in and watch people squirm or slide down in their seats. I like that sadism!
I'm a reader of Chinese literature, I like their films, but also: I've had great difficulty getting my work published in China; very little of it has been published there. The first two attempts to have all of my work published, for instance, were refused without any reason ever being given.
New York was scary, coming from the Midwest. At first, I thought I'd come in all cocky, like, 'I'm gonna bring this town to its knees!' After about a month, I was like, 'I wanna go home.'
Value investing strategies have worked for years and everyone's known about them. They continue to work because it's hard for people to do, for two main reasons. First, the companies that show up on the screens can be scary and not doing so well, so people find them difficult to buy. Second, there can be one-, two- or three-year periods when a strategy like this doesn't work. Most people aren't capable of sticking it out through that.
My anxiety about disasters is lower. The more you know, the less scary any of this stuff is. And that's my hope for the book. I want to get people's attention and tell them very valuable and ultimately hopeful information, and you find out nothing is as scary as your imagination.
Scaring someone's the hardest thing to do, and that's why most of these scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
Scaring someone's the hardest thing to do, and that's why most of scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
I guess I just use the word vibe in pretty much everyday context and every sentence I possibly can. Some people find it hilarious, some people find it cool, some people find it infuriating, but ultimately it's coming out of my mouth so as long as i I like the sound of it who cares too much what anyone else thinks?
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