A Quote by Selma Blair

I remember my first meeting with Guillermo Del Toro - he couldn't have been warmer, but I always had a kind of immaturity about me dealing with people that were in charge. Not really knowing how to conduct myself. And I got on the floor and curled up into a ball under a desk, which is so weird - as I was doing it, I was like, "Oh, my god, you're a freak. Get up. What are you doing?" And I looked at him like, "I'm so sorry," and he's like, "No, it's natural. Why wouldn't you want to do that?" He's just the most giving person and made me feel not like a freak.
Oh, I was sobbing, like, so bad when baby arrived. Like, I don't think people have seen a man sobbing like that. It was awful, but in the most joyful way. I mean, I was picking that baby up and putting him on me. And the baby, like, halfway opened his eyes and it just made me feel like, 'Oh my god, this is the most incredible thing.'
See? This was how he’d gotten me to fall in love with him. At times like this he made me feel like the most treasured woman in the world. “So you don’t remember doing this to me? Naked? In the shower? On the bed? On the floor?” With Matt Damon? Okay, how had the Sarah Silverman video gotten in my head, now of all times?
I really don't have an interest in it and people think I'm a freak because I'm not obsessed by 'Strictly Come Dancing' but it just doesn't appeal to me. I'm really sorry but I can't get into it. You get treated like a complete pariah if you don't like things like that!
I like to be physical and work out and dance, because it makes me feel good. It really does. I grew up doing it - it is obviously something that is so natural for me that when I'm not doing that, I actually feel kind of off and weird.
It's something I'm almost addicted to... wrestling, it's weird, but it's always been that. Everybody looks at me like, 'Oh my god, you're so small, why would you want to mess up your face, what are you doing?' But I'm in love with it.
He never hurries. He never shows his cards. He always hangs up first....Like when we first started talking on the phone, he would always be the one who got off first. When we kissed, he always pulled away first. He always kept me just on the edge of crazy. Feeling like I wanted him too much, which just made me want him more....[It was] excruciating and wonderful. It feels good to want something that bad. I thought about him the way you think about dinner when you haven't eaten for a day and a half. Like you'd sell your soul for it.
Music feels like therapy, actually. A lot of people come out of a therapy session and feel like a weight has been lifted - I got it out, I cried, I feel good. I think for me this is just my way of doing that. It's the only avenue I have that fulfills that, that makes me feel good about myself. And I don't mean that in regards to the rewards, or like getting some good review. That's not what it's about. It's more about trying to please myself. It's really sick and weird.
People dressing up as you is always a weird experience. Or sometimes you get the odd person who genuinely believes that you are your character. I've had that happen where I'm like, "No. No. No. Call me Sophie. It's OK." And they are like, "No my lady. I can't!" And it's really weird. But some people just find it difficult to separate that kind of thing.
The whole point of what I do - the monster ball, the music, the performance art aspect of it, I wanna create a space for my fans where they can feel free and they can celebrate because I didn't fit in in high school and I felt like a freak, so I like to create this atmosphere for my fans where they feel like they have a freak in me to hang out with and they don't feel alone.
I had two starts, really. The first was going to the Italia Conti stage school, aged 15. I'd gone to sing, but one day I found myself doing an improvisation and thought, 'Oh God, I quite like this acting thing.' The second start was meeting Mike Leigh when I was 22. He showed me I could play people that weren't like me.
I remember my wife wanted me to go see 'Contagion,' and I was like, 'Oh my God, why would I want to see that movie?' I mean, I'll just have nightmares and it will freak me out. It turned out that I really enjoyed it; I thought it was very well done.
Most authors writing books like 'He's Just Not That Into You' dream of doing what I was being asked to do. I didn't like it. I'm good at giving advice, but doing it on TV and radio felt wrong, and when people resisted my point of view, I was like, 'Why am I doing this? This was not the plan.' So I stopped. It didn't make me feel good.
People who are close to me know, they so know that there were days when I was so tired that I would fall asleep anywhere. The onset photographer has pictures of me falling asleep everywhere. Like on chairs, on the floor, in the middle of a set, all curled up. There were times when crew members didn't know where to find me, but they knew I'd be curled up in a ball somewhere.
I liked you the first time I saw you. You were sitting on the floor surrounded by books, and you looked up when I opened the door and smiled right at me. It felt like you had been waiting for me, like you were welcoming me home.
I like the two worlds coming together in the Internet space, which is so up for grabs... It all struck me when I heard about Twitter and Instagram, how it's like notes you pass in class. If someone's passing you a note, you really should be doing something else, and instead you're like, oh, 'What are you doing?'
If someone comes up to me at a show and talks to me, if they're not freaking out about meeting me, which I'm just not very good at dealing with, of course I'll talk to them. I'm mean, they're a person. I'm not a monster. It may sound like bullshit humility, but I'm just a dude making music. I'd be doing this if no one was listening.
This site uses cookies to ensure you get the best experience. More info...
Got it!