A Quote by Selma Lagerlof

Anyone who has ever sat in a train as it rushes through a dark night will know that sometimes there are long minutes when the coaches slide smoothly along without so much as a shudder.
There's always light after the dark. You have to go through that dark place to get to it, but it's there, waiting for you. It's like riding on a train through a dark tunnel. If you get so scared you jump off in the middle of the ride, then you're there, in the tunnel, stuck in the dark. You have to ride the train all the way to the end of the ride.
Sometimes people think success comes over night. There is no such thing, anyone you ever see that is successful has worked at it and if they do it well and calculate it just right they will make it look easy. Life is no fun if you don't get a few bumps and bruises along the way.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
You get to thinking that because you've written 50 or 100 songs, you think maybe you know how to do it. But when they're not coming along, you're just as in the dark as you ever were. When they're coming along, there's nothing to it. Sometimes it's so easy, it's like you're a court stenographer.
I have to be by myself when I write, and I never know how long it will take. It is like making butter. Sometimes it will come in a few minutes, and sometimes I have to churn away for hours.
Sometimes they keep us in the dark, but it's TV, so sometimes they keep us in the dark because even they don't know yet. You know what I mean? So, it sort of develops as it goes along and according to various needs that arise.
There's a lot of craft in songwriting. The divine inspiration is when the idea comes. It may be a riff. It may be a word. It may be a phrase. It may be a title. Sometimes, in the best of both worlds, that divine inspiration extends through the whole song. I've literally sat down and written a song from beginning to end, almost complete lyrics and everything without ever stopping...in two minutes. The chorus of 'She's Gone' was like that.
I have long thought that anyone who does not regularly - or ever - gaze up and see the wonder and glory of a dark night sky filled with countless stars loses a sense of their fundamental connectedness to the universe.
So if the dance is five minutes long, make yourself run for perhaps eight minutes. That way, you over-train and the dance will seem easier.
Well you wave your hand and they scatter like crows They have nothing that will ever capture your heart They're just thorns without the rose Be careful of them in the dark Oh, if I was the one you chose to be your only one Oh baby can't you hear me now, can't you hear me now Will I see you tonight on a downtown train Every night it's just the same, you leave me lonely now
Then he will be called Acheron for the River of Woe. Like the river of the Underworld, his journey shall be dark, long and enduring. He will be able to give life and to take it. He will walk through his life alone and abandoned – ever seeking kindness and ever finding cruelty. May the gods have mercy on you, little one. No one else ever will. (Oracle)
With Zeppelin, I tried to play something different every night in my solos. I'd play for 20 minutes but the longest ever was 30 minutes. It's a long time, but whenI was playing it seemed to fly by.
I met a genius on the train today about 6 years old, he sat beside me and as the train ran down along the coast we came to the ocean and then he looked at me and said, it’s not pretty.
The last great unknown, in terms of physiological training, is the optimum length of a piece. Is three minutes enough? Is ten minutes too much? No one knows. Perhaps someday the question will be answered-we'll find out that thirteen minutes is the perfect length for a training piece when preparing for a 2000 meter race. Until then, coaches will continue exploring the whole scale, up and down, from thirty seconds to sixty minutes and more, in hopes of capturing the optimum time.
As for me, I always train for 12 rounds just in case. I don’t train for three, four, one, or 10 rounds - I have to train for 12 because you never know what will happen that night.
Don't knock rationalization. Where would we be without it? I don't know anyone who'd get through the day without two or three juicy rationalizations. They're more important than sex. Have you ever gone a week without a rationalization?
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