A Quote by Semir Zeki

The Japanese, if I understand them, are masters of the unsaid and the unstated, of subtlety and ambiguity, all of which constitute powerful stimulants to the imagination.
I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.
It's really easy to make a movie that five people understand. It's really hard to make something that a lot of people understand and yet is not obvious, still has subtlety and ambiguity, and leaves you with something to do as a viewer.
Fantasy consists in a morbid fascination with unrealities, which secretly transforms itself into a desire to make them real. Imagination is a form of intellectual control, which presents us with the image of unrealities in order that we should understand and feel distanced from them. In imagination we dominate; in fantasy, we are dominated.
We are masters of the unsaid words, but slaves of those we let slip out.
I don't doubt that there are many presidential acts that would constitute obstructions of justice if anyone but the president engaged in them but which constitute legitimate exercises of presidential power when the president engages in them.
For 50 years bike racers have been taking stimulants. Obviously we can do without them in a race, but then we will pedal 15 miles an hour (instead of 25). Since we are constantly asked to go faster and to make even greater efforts, we are obliged to take stimulants
In some socialist states well-performed work is rewarded with moral stimulants instead of material ones. However, the moral stimulants cannot be explained by materialistic philosophy. It is the same case with the appeals for humanism, justice, equality, freedom, human rights, and so forth, which are all of religious origin. Certainly, everybody has the right to live as he thinks best, including the right not to be consistent with his own pattern. Still, to understand the world correctly, it is important to know the true origin of meaning and of the ideas ruling the world.
In any case, once you're dealing on a nonverbal level, ambiguity is unavoidable. But it's the ambiguity of all art, of a fine piece of music or a painting - you don't need written instructions by the composer or painter accompanying such works to 'explain' them. “Explaining” them contributes nothing but a superficial 'cultural' value which has no value except for critics and teachers who have to earn a living.
Being a practiced liar doesn't mean you have a powerful imagination. Many good liars have no imagination at all; it's that which gives their lies such wide-eyed conviction.
Screw ambiguity. Perversion and corruption masquerade as ambiguity. I don`t trust ambiguity. John Wayne
In the early days, computers inspired widespread awe and the popular press dubbed them giant brains. In fact, the computer's power resembled that of a bulldozer; it did not harness subtlety, though subtlety went into its design.
Very often people who live in a ghetto accept some of the stigmatisation against them. I mention the case of a Japanese minority the Burakumin, which was pure Japanese in descent, but which was concerned with dirty work: leather work, cadavers, and some other things.There was a famous story of an old man who asked: 'Do you yourself believe you are the same as the Japanese?' And the outsider said: 'I do not know, we are dirty.' This kind of conscience was never there in the surroundings in which I lived. One always felt as someone whom could be proud of, being both German and Jewish.
I think the relationship between social-dominance orientation in people and the extent to which they're made uncomfortable by ambiguity and novelty is really important. Better a stable world that's familiar, in which I'm doing pretty poorly, than dealing with all the ambiguity of a changing world.
Nearly all the Escapists in the long past have managed their own budget and their social relations so unsuccessfully that I wouldn't want them for my landlords, or my bankers, or my neighbors. They were valuable, like powerful stimulants, only when they were left out of the social and industrial routine.
One of the reasons they [the Japanese] have bad eyesight is probably these microscopic characters [furigana] which have many lines and strokes to them.& We wonder why they went mad and bombed Pearl Harbor when they knew they couldn't win. That [the Japanese language] would be a reason.
I am not an objective reporter. I prefer to go further, to the unstated things of our existence. What I can't understand and grasp seems to lead me.
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