A Quote by Sena Jeter Naslund

Great minds may have cold hearts. Form but no color. It is an incompleteness. And so they are afraid of any woman who both thinks and feels deeply. — © Sena Jeter Naslund
Great minds may have cold hearts. Form but no color. It is an incompleteness. And so they are afraid of any woman who both thinks and feels deeply.
I may be too craving of that rich gift, the power of sharing other minds. I have drunk deeply, long, and oh! how blissfully at this fountain in a foreign clime. Hearts met hearts, minds joined with minds; and what were the secondary trials of pain to the enfeebled, suffering body when daily was administered the soul's medicine and food!
Color exists simultaneously with form. Both elements are constantly associated but color strikes you more - a rose for instance - sometimes form - the human body.
When a man thinks about a woman he thinks about love, he never thinks about marriage. When a woman thinks about a man, she thinks about marriage. Love is secondary, security is first. She lives in a different kind of world - maybe in the future she may not, but in the past the only problem for the woman was how to be secure.
Any film that you see that has any progressive spirits that is made by any people of color or a woman is a triumph in and of itself. Whether you agree with it or not. Something that comes with some point of view and some personal perspective from a woman or a person of color is a unicorn.
Let's not be afraid of the use of color. Let's not be afraid of crazy art style. Let's not be afraid of the fantastical stuff, and I promise you we can make something that feels like an awesome shooter that you can market to the world, but that is awesome because it commits to what it is.
The practice of kindness is the daily, friendly, homely caring form of love. It is both humble-a schoolboy bringing his teacher a bouquet of dandelions-and exalted-a fireman giving his life to save someone else's. Kindness is love with hands and hearts and minds. It is both whimsical-causing our faces to crack into a smile-and deeply touching-causing our eyes to shimmer with tears. And its miraculous nature is such that the more acts of kindness we offer, the more of them we have to give, for acts of kindness are always drawn from the endless well of love.
Emotional truth is the reward of digging deeply enough to find the truth about how one really feels, but in order to convey this truth with any force, or artistry, one needs to 'create' a form of expression, and this form determines its own "genuine information".
Though I am young, and cannot tell Either what Death or Love is well, Yet I have heard they both bear darts, And both do aim at human hearts. And then again, I have been told Love wounds with heat, as Death with cold; So that I fear they do but bring Extremes to touch, and mean one thing. As in a ruin we it call One thing to be blown up, or fall; Or to our end like way may have By a flash of lightning, or a wave; So Love’s inflamèd shaft or brand May kill as soon as Death’s cold hand; Except Love’s fires the virtue have To fight the frost out of the grave.
The great black and white draftsman, the sculptor, and the blind man know that form and color are separate. The form itself is what the blind man knows...Color is surface skin that fits over the form.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
In a very real sense we have two minds, one that thinks and one that feels
Our hearts are not stones. A stone may disintegrate in time and lose its outward form. But hearts never disintegrate. They have no outward form, and whether good or evil, we can always communicate them to one another.
Every time you hear that the majority of Democratic candidates go on stage, they say poor women of color need access to abortion. I was born to a poor woman of color. I was a poor woman of color when I gave birth to my children. Who's to say that their lives are worth any less than others?
You may not agree with a woman, but to criticize her appearance — as opposed to her ideas or actions — isn't doing anyone any favors, least of all you. Insulting a woman's looks when they have nothing to do with the issue at hand implies a lack of comprehension on your part, an inability to engage in high-level thinking. You may think she's ugly, but everyone else thinks you're an idiot.
I feel like any single woman of color who's been onstage has a Shakespeare monologue in her back pocket, and a monologue from 'For Colored Girls.' It's just part of what you should have, as a woman of color.
It is true that the battle for secularism must be fought in the hearts and minds of people, but how does one reach out to the hearts and minds in a fascist state?
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