A Quote by Sena Jeter Naslund

Darkroom: A Memoir in Black and White is remarkable for its truth-telling about two important issues concerning Alabama's past and present: the civil rights movement and immigration. These stories, rendered through the words and eyes of a young Latina girl who came from Argentina to Marion, Alabama, are made vivid and immediate through Weaver's highly accessible drawings and dialogue. This is a book-about maturation, family, education, and social change-every schoolchild, parent, and citizen should experience.
I think that is what we do by preserving and telling our stories. If you don't tell your stories, other people will tell their story about you. It's important that we nurture and protect these memories. Things change. Existence means change. So, the kind of precious memories about being black for my generation won't exist for my kids' and grandkids' generations unless we preserve them through fiction, through film, through comic books, and every other form of media we can possibly utilize to perpetuate the story of the great African-American people.
I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of "interposition" and "nullification" - one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.
I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.
I grew up really close to Alabama, about 10 minutes from the Alabama line. We'd make trips to Alabama, and I feel at home there.
The civil rights movement didn't deal with the issue of political disenfranchisement in the Northern cities. It didn't deal with the issues that were happening in places like Detroit, where there was a deep process of deindustrialization going on. So you have this response of angry young people, with a war going on in Vietnam, a poverty program that was insufficient, and police brutality. All these things gave rise to the black power movement. The black power movement was not a separation from the civil rights movement, but a continuation of this whole process of democratization.
If you're in Alabama, you're selling tax incentives - with all due respect to Alabama - because what else are you going to sell? In New Jersey, you've got location, public education, highly educated workforce, density, diversity, infrastructure.
The Daily Show is one of the lowest-rated shows in the state of Alabama, so we decided to reach across the aisle and do a collection of field pieces about Alabama - to increase awareness of the show there, but also to learn about the politics, culture, and religion in Alabama.
That is another theme in the book [Dreams from My Father]. How do we exercise more empathy in our public discourse? How do we get the black to see through the eyes of the white? Or the citizen to see through the eyes of the immigrant? Or the straight to see through the eyes of the gay? That has always been a struggle in our politics.
I think you'd change Alabama fundamentally if in six years someone said, 'If you want the best education in America, you've got to live in Alabama.' you'd change economic development, change the image of this state, you'd offer these kids an opportunity they otherwise would never have had.
The children of Birmingham did not really die in the State of Alabama, however, because Alabama is a state of mind, and in the minds of the [white] men who rule Alabama, those children had never lived [...] their blood is on so many hands, that history will weep in the telling...and it is not new blood. It is old, so very old.
My girlfriend and I rented a nice house on the river and I was there for about two and a half months, and we were just out of Alabama. I hardly got to see Alabama.
I was one of those kids who watched the Bear Bryant Show every Sunday, and every time Alabama played, I was listening on the radio. I'd fight you if you talked bad about Alabama.
Growing up in Mississippi - a state that historically was a place of racial injustice, inequality and oppression - gave me the unique opportunity to experience first-hand the evolution of the civil rights movement through the eyes of my parents, grandparents, and the black elders of our community.
Alabama's Black Belt region played a central role in both the history of our great state and our country. We cannot lose sight of the Black Belt's significant impact in the civil rights movement and the fact that this area is home to some of our state's most celebrated cultural figures.
What is interesting is that John Lewis actually got interested initially in the civil rights movement because of a comic book. So part of it, he's paying homage to this tradition that you can tell serious stories and talk about serious issues in graphic form.
My parents were civil rights activists, and my mother was active in the feminist movement. Issues concerning marginalized people and especially women of color were what they cared about most in the world.
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