A Quote by Sendhil Mullainathan

People will often take an interesting experimental study which has been done in the world, perhaps at small scale, and then it's touted as some big solution. — © Sendhil Mullainathan
People will often take an interesting experimental study which has been done in the world, perhaps at small scale, and then it's touted as some big solution.
Chinese landscape paintings often include tiny figures - as if to emphasize the grandeur of nature of which humankind is one small part. Think of the world in these terms, as larger in scale than the human. This is a healthy corrective to the commonplace view that people own the land, which exists to serve their purposes. Think big and live small.
We do expect there will be some big centralised miners that will have a lots of storage and economies of scale. But there will also be a large cloud of small miners all over the world.
Spiritual power is a force which history clearly teaches has been the greatest force in the development of men. Ye. we have been merely playing with it and never have really studied it as we have the physical forces. Some day people will learn that material things do not bring happiness, and are of little use in making people creative and powerful. Then the scientists of the world will turn their laboratories over to the study of spiritual forces which have hardly been scratched.
We're told, often enough, that as a species we are poised on the edge of the abyss. It's possible that our puffed-up, prideful intelligence has outstripped our instinct for survival and the road back to safety has already been washed away. In which case there's nothing much to be done. If there is something to be done, then one thing is for sure: those who created the problem will not be the ones who come up with a solution.
The formulation of the problem is often more essential than its solution, which may be merely a matter of mathematical or experimental skill.
...And perhaps you can sense, in some small twisting loop of your gut, the convergence of the wrong, of the right, and of the woefully misguided. If you do, then pay sharp attention to the moment you wake, and the moment you fall asleep...For maybe then you will know, without a shadow of a doubt, which is which.
One of my goals is to inspire people to be all that they can be and, hopefully, be a good example and teach some useful, interesting principles. Perhaps I can be the key that turns on the engine in their life, and then they can take their car where they want.
I will personally never ever get over the communal experience of theatrical cinema. I will never get over the scale of a big screen in relation to your small body, big sounds in a big room with a bunch of other people.
The population explosion is an ecological phenomenon of displacement. Unless we solve that ecological problem of displacing people - to build huge dams, to build motorways, to take away what people need in order to survive - we will keep pumping more and more money into population programs. We will have more and more coercive and violent methods through which women's bodies are treated as experimental grounds for new contraceptives. Yet we will not have a solution to the problem of numbers.
To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
The difference between what all the people can do individually and the global consumption of nonrenewable resources is huge. The tension is... what will it take to get people to act in concert? There isn't any additive solution to the problem. It will be both governmental and social because that's the scale of the problem.
It may be only small injustice that the child can be exposed to; but the child is small, and its world is small, and its rocking-horse stands as many hands high, according to scale, as a big-boned Irish hunter.
To go back to architecture, whats organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
Think that you are part of a big construction called science and you are not just a chemist but you are scientist. Be modest but proud. Modest because you know you will not be able to solve other problems because your life is too short. But be proud because you are contributing to it. Some people will bring a small stone to the building and some people will bring a big one but nevertheless no one can take that stone away from you.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
Perhaps the pleasure one feels in writing is not the infallible test of the literary value of a page; perhaps it is only a secondary state which is often superadded, but the want of which can have no prejudicial effect on it. Perhaps some of the greatest masterpieces were written while yawning.
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