A Quote by Sendhil Mullainathan
As a researcher, every once in a while you encounter something a little disconcerting. And this is something that changes your understanding of the world around you, and teaches you that you're very wrong about something that you really believed firmly in.
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I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
Every film teaches you something; every experience on every film set with every co-star teaches you something. You learn something new. I think the challenge is to keep working harder and doing better.
I want a real encounter with something true and disconcerting about peoples' natures.
Every once in a while you just have to decide to do something very crazy and very right--just to dare yourself to live. I don't mean doing something stupid and destructive--just something fun and good and beautiful.
My ideal life is just lounging around the house and every once in a while I'll kind of write something, and then I'll leave and eat something and masturbate or whatever - just this very fluid life of comforting myself.
I must tell you that I should really like to think there's something wrong with me- Because, if there isn't, then there's something wrong with the world itself-and that's much more frightening! That would be terrible. So I'd rather believe there is something wrong with me, that could be put right.
There’s something beautiful and very circular about passing by something that was important to the person you loved, or touching something that once meant something to him — that brings me some peace.
I think it's something that really speaks in your head - a very strong melody. But at the same time, if the song doesn't have some kind of edge to it, if there isn't something a little off about it or something very intense or loud or abrasive in some way, it just comes off as a stupid pop song.
The mythology around colorblindness leads people to imagine that if poor kids of color are failing or getting locked up in large numbers, it must be something wrong with them. It leads young kids of color to look around and say: "There must be something wrong with me, there must be something wrong with us. Is there something inherent, something different about me, about us as a people, that leads us to fail so often, that leads us to live in these miserable conditions, that leads us to go in and out of prison?"
I'm grateful for anything that reminds me of what's possible in this life. Books can do that. Films can do that. Music can do that. School can do that. It's so easy to allow one day to simply follow into the next, but every once in a while we encounter something that shows us that anything is possible, that dramatic change is possible, that something new can be made, that laughter can be shared.
There's something very scary about exposing yourself on camera, knowing that you're going to be put on thousands of screens around the world for everyone to judge, but there's also something very thrilling and exciting about it.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
After a while in marriage, it doesn't work anymore. There is something missing, there is something wrong. There are few marriages that stay alive forever. We like something, and after a while, we hate what we used to love.
Something about photography is tied to a very specific relationship with the material world. It doesn't have to be, but the way I practice it, it is. So there's an act of observation, but it's not an act of objective recording. It's about framing something and seeing it and understanding that it's relational.
When you have to kill the same terrorist twice in one week, then there's either something wrong with your skills or something wrong with your world. And there's nothing wrong with my skills.
We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?
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