A Quote by Seneca the Younger

Elegance is not an ornament worthy of man. — © Seneca the Younger
Elegance is not an ornament worthy of man.
The elegance of the Italian South is a very strong elegance and it is one that I bring. It is a sexy elegance - or at least, let's say less chaste.
She rides as a man, goes unveiled as a man, fights as a man. Let her prove herself worthy as a man, worthy of her weapons and of our friendship.
It is important to notice that these badly functioning designs were praised for 'elegance.' But elegance as theoretical scientists apply it is quite different. The elegance of a mathematical formula is that it explains a phenomenon beautifully, with no parts left over. In design, elegance is more readily perceived as a property of product than of process. If we had more elegant theories, we might look to design for more than elegance.
The ornament of beauty, Shakespeare wrote, is suspect. And he was right. But beauty itself, unadorned and unaffected, is sacred, I think, worthy of our awe and our loyalty.
Rich people don't have to have a life-and-death relationship with the truth and its questions; they can ignore the truth and still thrive materially. I am not surprised many of them understand literature only as an ornament. Life is an ornament to them, relationships are ornaments, their “work” is but a flimsy, pretty ornament meant to momentarily thrill and capture attention. Why didn't I reread my F. Scott Fitzgerald sooner? I might have saved myself some time.
The Master said, “What a worthy man was Yan Hui! Living in a narrow alley, subsisting upon meager bits of rice and water—other people could not have borne such hardship, and yet it never spoiled Hui’s joy. What a worthy man was Hui!” (Analects 6.11)
Of course you are unworthy. But when do you hope to be worthy? You will be no more worthy at the end than at the beginning. God alone is worthy of Himself, He alone can make us worthy of Him.
One of the first principles of decorative art is that in all manufactures ornament must hold a place subordinate to that of utility; and when, by its exuberance, ornament interferes with utility, it is misplaced and vulgar.
The 50s are the age of elegance. That's kind of my intention when I get dressed: casual elegance.
Elegance is always in style for men. There are all different kinds of elegance. It can be silk, it can be a T-shirt.
Elegance is innate. It has nothing to do with being well dressed. Elegance is refusal.
It seems to me that invisibility is the required provision of elegance. Elegance ceases to exist when it is noticed.
Truth is not only a man's ornament but his instrument; it is the great man's glory, and the poor man's stock: a man's truth is his livelihood, his recommendation, his letters of credit.
Gardening is a luxury occupation: an ornament, not a necessity, of life.... Fortunate gardener, who may preoccupy himself solely with beauty in these difficult and ugly days! He is one of the few people left in this distressful world to carry on the tradition of elegance and charm. A useless member of society, considered in terms of economics, he must not be denied his rightful place. He deserves to share it, however humbly, with the painter and poet.
Elegance for one society is not elegance for another. It's in the eyes of the beholder.
Elegance must be the right combination of distinction, naturalness, care and simplicity. Outside this, believe me, there is no elegance. Only pretension.
This site uses cookies to ensure you get the best experience. More info...
Got it!