A Quote by Seneca the Younger

That which takes effect by chance is not an art. — © Seneca the Younger
That which takes effect by chance is not an art.
A very small cause, which escapes us, determines a considerable effect which we cannot ignore, and we say that this effect is due to chance.
A very small cause which escapes our notice determines a considerable effect that we cannot fail to see, and then we say that the effect is due to chance.
Arguments against photography ever being considered a fine art are: the element of chance which enters in, — finding things ready-made for a machine to record, and of course the mechanics of the medium. I say that chance enters into all branches of art.
To say that one waits a lifetime for his soulmate to come around is a paradox. People eventually get sick of waiting, take a chance on someone, and by the art of commitment become soulmates, which takes a lifetime to perfect.
Not only is the motion picture an art, but it is the one entirely new art that has been evolved on this planet for hundreds of years. It is the only art at which we of this generation have any possible chance to greatly excel.
That which two will, takes effect.
The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.
Naturalistic art, as we know it, is an art which imitates the appearance of things, not as they are in reality, but as they appear at one moment from the point of view of a single spectator. This is the effect of perspective. Nothing of this sort existed in prehistory.
I am for an art that takes into account the direct effect of the elements as they exist from day to day apart from representation.
Without artists, the order which we find in nature, and which is only an effect of art, would at once vanish.
That which achieves its effect by accident is not art.
Part of the triumph of modernist poetry is, indeed, to have demonstrated the great extent to which verse can do without explicit meaning and yet not sacrifice anything essential to its effect as art. Here, as before, successful art can be depended upon to explain itself.
My work is not, of course, pure art in the sense that Schmidt-Rottluff's is, but it is art nonetheless... It is all right with me that my work serves a purpose. I want to have an effect on my time, in which human beings are so confused and in need of help.
As you grow older you realize that art has an enormous effect. It's frightening sometimes to think of the effect that we can have.
To talk of luck and chance only shows how little we really know of the laws which govern cause and effect.
If we define a miracle as an effect of which the cause is unknown to us, then we make our ignorance the source of miracles! And the universe itself would be a standing miracle. A miracle might be perhaps defined more exactly as an effect which is not the consequence or effect of any known laws of nature.
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