A Quote by Seneca the Younger
When you enter a grove peopled with ancient trees, higher than the ordinary, and shutting out the sky with their thickly inter-twined branches, do not the stately shadows of the wood, the stillness of the place, and the awful gloom of this doomed cavern then strike you with the presence of a deity?
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If ever you come upon a grove of ancient trees which have grown to an exceptional height, shutting out a view of sky by a veil of pleached and intertwining branches, then the loftiness of the forest, the seclusion of the spot and your marvel at the thick unbroken shade in the midst of the open spaces, will prove to you the presence of deity.
Fear is like a black cavern that is terrifying. Once you enter the cavern and explore it, you realize that you can get out of it, go through it and get out of it. Then there's another cavern that is just as big and terrifying, and you just go in and dwell in it and see what is the worst that can happen.
I feel that I need to return to the pure stillness periodically. And then, when the teaching happens, just allow it to arise out of the stillness. So the teaching and stillness are very closely connected. The teaching arises out of the stillness. But when I'm alone, there's only the stillness, and that is my favorite place.
Fear is like a black cavern that is terrifying. Once you enter the cavern and explore it, you realize that you can get out of it, go through it and get out of it.
Sycamore trees were held to be sacred in ancient Egypt and are the first trees represented in ancient art. The sycamore, also, was sacred. Peasants gather around them in rituals. In the Land of the Dead there was a sycamore in whose branches the goddess Hathor lived; she leaned out of it giving sustenance and water to deceased souls. In Memphis, Hathor's epithet was Lady of the Sycamore.
Everything is simpler than one can imagine, and yet complicated and inter-twined beyond comprehension.
There are no medium-sized trees in the deep forest. There are only the towering ones, whose canopy spreads across the sky. Below, in the gloom, there's light for nothing but mosses and ferns. But when a giant falls, leaving a little space ... then there's a race - between the trees on either side, who want to spread out, and the seedlings below, who race to grow up. Sometimes, you can make your own space.
Thin clouds form, and the shadows lengthen out. They have no breadth, as summer shadows have; there are no leaves on the trees or fat clouds in the sky to make them thick. They are gaunt, mean shadows that bite the ground like teeth. As the sun nears the horizon, its benevolent yellow begins to deepen, to become infected, until it glares an angry inflamed orange. It throws a variegated glow over the horizon.
The place that I love most is the stillness. It's not that the stillness is lost when I talk or when I teach because the words arise out of the stillness. But when people leave me, there is only the stillness left. And I love that so much.
I got a statistic for you right now. Grab your pencil, Doug. There are five billion trees in the world. I looked it up. Under every tree is a shadow, right? So, then, what makes night? I'll tell you: shadows crawling out from under five billion trees! Think of it! Shadows running around in the air, muddying the waters you might say. If only we could figure a way to keep those darn five billion shadows under those trees, we could stay up half the night, Doug, because there'd be no night!
The trees grew too thickly, and their trunks were too big for any healthy New England wood. There was too much silence in the dim alleys between them.
Enormous and solid but swaying, beaten by the wind but chained, murmur of a million leaves against my window. Riot of trees, surge of dark green sounds. The grove, suddenly still, is a web of fronds and branches.
According to ancient mythology, trees link the Earth to the sky. In this respect trees link humans to another world.
Modern man has a very abstract idea of what a wood is. I guess that if you stopped anyone on the street and asked them what a wood actually was, they would see it as a place where big trees grow.
If we are to have a culture as resilient and competent in the face of necessity as it needs to be, then it must somehow involve within itself a ceremonious generosity toward the wilderness of natural force and instinct. The farm must yield a place to the forest, not as a wood lot, or even as a necessary agricultural principle but as a sacred grove - a place where the Creation is let alone, to serve as instruction, example, refuge; a place for people to go, free of work and presumption, to let themselves alone. (pg. 125, The Body and the Earth)
The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees, the dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same.
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