A Quote by Seneca the Younger

No emotion falls into dislike so readily as sorrow. — © Seneca the Younger
No emotion falls into dislike so readily as sorrow.
When you feel yourself in the grip of an emotion such as jealousy or anger or sorrow, detach yourself from it. Take a step back. When you do that, you can allow the emotion to run through you without causing negative thoughts or actions.
I am not very proud of being an human being; in fact, I distinctly dislike the species in many ways. I can readily conceive of beings vastly superior in every respect.
Sorrow is tranquility remembered in emotion.
When your hero falls from grace, all fairy tales are uncovered Myth exposed and pain magnified, the grace pays uncovered He told me to be strong, but I confused to see it so weak You say never to give up, and it hurts to see what comes to be When your hero falls soley the stars, and so does the reception of tomorrow Without my hero, theres only me alone, to deal with my sorrow Your heart ceases to work, and your soul is not happy at all What are you expected to do, when your only hero falls
The Resurrection was the greatest ‘eucatastrophe’ possible in the greatest Fairy Story — and produces that essential emotion: Christian joy which produces tears because it is qualitatively so like sorrow, because it comes from those places where Joy and Sorrow are at one, reconciled, as selfishness and altruism are lost in Love.
All men have an emotion to kill; when they strongly dislike someone they involuntarily wish he was dead. I have never killed any one, but I have read some obituary notices with great satisfaction.
One thing was absolutely certain—it was a given for Kazuo. Although he might not have particularlyrealized it, or more appropriately, perhaps because he was incapable of coming to such a realization, this was what it came down to: he, Kazuo Kiriyama, felt no emotion, no guilt, no sorrow, no pity, towards the four corpses, including Mitsuru's—and that ever since the day he was dropped into this world theway he was, he had never once felt a single emotion.
Some of their faults men readily admit, but others not so readily.
Between the idea And the reality Between the motion And the act Falls the Shadow For Thine is the Kingdom Between the conception And the creation Between the emotion And the response Falls the Shadow Life is very long Between the desire And the spasm Between the potency And the existence Between the essence And the descent Falls the Shadow For Thine is the Kingdom For Thine is Life is For Thine is the This is the way the world ends This is the way the world ends This is the way the world ends Not with a bang but a whimper.
My heart is tuned to sorrow, and the strings Vibrate most readily to minor chords, Searching and sad; my mind is stuffed with words Which voice the passion and the ache of things: Illusions beating with their baffled wings Against the walls of circumstance.
Life goes on after sorrow, in spite of sorrow, as a defense against sorrow.
I now see that sorrow, being the supreme emotion of which man is capable, is at once the type and test of all great art.
Every instinct that is found in any man is in all men. The strength of the emotion may not be so overpowering, the barriers against possession not so insurmountable, the urge to accomplish the desire less keen. With some, inhibitions and urges may be neutralized by other tendencies. But with every being the primal emotions are there. All men have an emotion to kill; when they strongly dislike some one they involuntarily wish he was dead. I have never killed any one, but I have read some obituary notices with great satisfaction.
Joy is hidden in sorrow and sorrow in joy. If we try to avoid sorrow at all costs, we may never taste joy, and if we are suspicious of ecstasy, agony can never reach us either. Joy and sorrow are the parents of our spiritual growth.
Gluttony is a great fault; but we do not necessarily dislike a glutton. We only dislike the glutton when he becomes a gourmet-that is, we only dislike him when he not only wants the best for himself, but knows what is best for other people.
I think in order to write really well and convincingly, one must be somewhat poisoned by emotion, dislike, displeasure, resentment, fault-finding, imagination, passionate remonstrance, a sense of injustice-they all make fine fuel.
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