A Quote by Seno Gumira Ajidarma

When journalism is silenced, literature must speak. Because while journalism speaks with facts, literature speaks with truth. — © Seno Gumira Ajidarma
When journalism is silenced, literature must speak. Because while journalism speaks with facts, literature speaks with truth.
The difference between literature and journalism is that journalism is unreadable and literature is not read.
The Lord's Prayer is 66 words, the Gettysburg Address is 286 words, there are 1.322 words in the Declaration of Independence, but government regulations on the sale of cabbage total 26.911 words. The difference between literature and journalism is that journalism is unreadable and literature is not read.
Comedians, such as yourself, Jon Stewart and others, are a valuable supplement, and here's why: Good journalism at its best frequently speaks truth to power. What's happened with journalists - again, I don't except myself from this criticism - in some ways we've lost our guts. We need a spine transplant. What's happened is comedians, in their own way, speak truth to power and fill that vacuum that we in journalism have too often left, particularly post 9/11.
I think everybody's talking about like facts and truth and you know like that 'We're here to fact check' and all of that, that's the base material of journalism. You cannot have journalism without facts and truth. But if facts and truth were what actually you know sort of moved people's lives and moved their decision-making like the election would have had a different outcome.
There is a growing literature about the multitude of journalism's problems, but most of it is concerned with the editorial side of the business, possibly because most people competent to write about journalism are not comfortable writing about finance.
There is a tradition that sees journalism as the dark side of literature, with book writing at its zenith. I don't agree. I think that all written work constitutes literature, even graffiti.
There is first the literature of knowledge, and secondly, the literature of power. The function of the first is--to teach; the function of the second is--to move, the first is a rudder, the second an oar or a sail. The first speaks to the mere discursive understanding; the second speaks ultimately, it may happen, to the higher understanding or reason, but always through affections of pleasure and sympathy.
I went to Princeton to major in comparative literature. I never went to film school, but I studied storytelling across mediums - poems, literature, film, and journalism.
I want to help clean up the state that is so sorry today of journalism, and I have a communications degree. I studied journalism -- who, what, where, when, and why -- of reporting. I will speak to reporters who still understand that cornerstone of our democracy, that expectation that the public has for truth to be reported. And then we get to decide our own opinion based on the facts reported to us.
I got in journalism for any number of reasons, not least because it's so much fun. Journalism should be in the business of putting pressure on power, finding out the truth, of shining a light on injustice, of, when appropriate, being amusing and entertaining - it's a complicated and varied beast, journalism.
Literature speaks the language of the imagination, and the study of literature is supposed to train and improve the imagination.
Literature speaks with everyone individually - it is personal property that stays inside our heads. And nothing speaks to us as forcefully as a book, which expects nothing in return other than that we think and feel.
Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.
In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.
Every journalism bromide - speaking truth to power, comforting the afflicted, afflicting the powerful - that otherwise would be hopelessly sappy to a journalist of any experience, has become a Twitter grail. The true business of journalism has become obscured because there is really no longer a journalism business.
Almost everything I've learned about journalism has been from other friends who are journalists, taking advantage of the money I hope they don't think they threw away at j-school. I studied comparative literature, but the professional vagaries of journalism I've learned through other people's trial and error, and my own.
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