A Quote by Seo In-guk
I wasn't a star and I wasn't a handsome person, so I thought I would become a burden for director Shin Won Ho.
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What ho!" I said. "What ho!" said Motty. "What ho! What ho!" "What ho! What ho! What ho!" After that it seemed rather difficult to go on with the conversation.
I thought I'd become a funeral director when I wasn't going to be an actor. I thought I would be good at helping some people with the grieving process and with trying to get them to talk about and understand who this person was.
That's ended, that's over. I want you to meet my pimps. I thought, I'm a show-business ho already, so I might as well be a real ho.
I've always been passionately in love with movies, to such a degree that even as a young person of about nineteen or twenty I thought maybe I would try to become a film director. The reason I didn't do it was because I felt I didn't have the right personality. At that time in my life, I was mortally shy.
There were nights when he took a deal more rum and water than his head could carry; and then he would sometimes sit and sing his wicked old wild sea-songs, minding nobody... Often I have heard the house shaking with Yo-ho-ho and a bottle and rum, all the neighbours joining in for dear life with the fear of death upon them and each singing louder than the other to avoid remark. Fiften men on the dead man's chest, Yo-ho-ho and a bottle of rum! Drink and the devil have done for the rest. Yo-ho-ho and a bottle of rum!
Shin [Biyajima] rides down with this big ol' Japanese grin and giggle and I'm like what? Two years later, when I started planning the trip, I knew Shin was from the Hakuba area, and I didn't want to come film in Japan without a Japanese rider. Shin had the time and availability, and it worked out perfect.
Fifteen men on the Dead Man's Chest Yo-ho-ho, and a bottle of rum! Drink and the devil had done for the rest Yo-ho-ho, and a bottle of rum!
...handsome people are always interesting to watch. But a handsome person in crisis is riveting.
I think, first of all, director Park Shin-woo, of course, is extremely talented and his talent is irresistible.
I'm shocked at how much I'm into Christmas pillows. There's cheesiness, obviously, but then there's really cute ones that are metallic that say "Ho Ho Ho" or "Merry" or cute vintage needlepoint ones.
I thought to myself: if it’s true that every person has a star in the sky, mine must be distant, dim, and absurd. Perhaps I never had a star.
I never enjoyed being the star-man because as soon as you become the focal point of the team, you assume an extra burden of responsibility.
Being handsome wasn't much of a burden. It worked for me.
Simon Collinson, of digital publisher Canelo and über-cool Aussie mag The Lifted Brow, is our digital producer; Sarah Shin, Verso's comms director, is helping us out with press publicity; Soraya Gilanni, who mainly does production and set design for films and commercials, is our art director.
When 'Humsafar' did well, every single person associated with it shined. Its DoP [Director of Photography], Shehzad Kashmiri, went on to become a huge director. So, a good and successful project just blesses everybody.
I wanted to be a star. I wanted to become a dancing star but didn't think I would become an actor.
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