A Quote by Ser'Darius Blain

I have some rhythm, but I definitely learned a lot from Jamal Sims and Spencer Henderson. — © Ser'Darius Blain
I have some rhythm, but I definitely learned a lot from Jamal Sims and Spencer Henderson.
My most recent project for The Sims Label (2011 – 2012) involved creating detailed Flash mockups exploring game play and UI designs for two potential online versions of The Sims 4 (The Sims Olympus and The Sims Icarus).
The great games are the space sims and driving sims and these experiences where you're basically sitting at a table with nothing happening in front of you. A lot of interesting things are evolving there. There are great games that can be made.
I'm a great believer in conversational rhythm. I think in terms of rhythmic dialogue. It's so easy, you can talk naturally. It's like peas rolling off a knife. Take the great screen actors and actresses, Bette Davis, Eddie Robinson, Jimmy Cagney, Spencer Tracy. They all talk in rhythm. And rhythm and movement are the life of the screen.
I don't think I changed a lot although I learned a lot. Adversity can be a wonderful teacher. Some people can't handle the pressure of it. For me it was a great thing. I learned about myself going through tough times. I guess I learned well.
I was on the set when I was five years old with Spencer Tracy. A lot of what I learned growing up in terms of artistry is very clean, very tidy, very organized.
It was because of Henderson that I stayed... It was he and he alone who kept me in Toronto and in Canada. Were it not for Henderson, I believe insulin would have been a product of the United States.
I don't even know if hip-hop is music anymore. It's definitely rhythm. It's definitely tempo. It's definitely beats per minute. But it's product. And television is product placement for the most part. It's not passion.
Cournoyer has it on that wing. Here's a shot - Henderson made a wild stab for it and fell. Here's another shot! Right in front - THEY SCORE!!! Henderson has scored for Canada!
I've obviously learned a lot, a lot of mental toughness, learned how to deal with some adversity. Hopefully I'm better for it.
If you really dissect hip-hop you will find a whole lot of Charles Mingus, Ron Carter, Ahmad Jamal, a lot of classic jazz samples in there.
I've been YouTube surfing a lot lately so I'll Shazam a song that I find or some s - - and type that in on YouTube and just go through all the relateds for it. So it's been a lot of random jazz s - - lately. Like I found Lonnie Liston Smith, and Ahmad Jamal, s - - like that. So that's been very tight.
Music definitely is part of my rhythm, you know I play with a rhythm so I have to listen to music.
You can't seperate modern jazz from rock or from rhythm and blues - you can't seperate it. Because that's where it all started, and that's where it all come from - that's where I learned to keep rhythm - in church
You can't seperate modern jazz from rock or from rhythm and blues - you can't seperate it. Because that's where it all started, and that's where it all come from - that's where I learned to keep rhythm - in church.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
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