A Quote by Serena Williams

I've always made some legendary comebacks since 1998 when it first started. So that's kind of just been my MO for my whole career. — © Serena Williams
I've always made some legendary comebacks since 1998 when it first started. So that's kind of just been my MO for my whole career.
I've always just felt like an outsider. I've always been made fun of in school ever since kindergarten. For me, when I started singing, that's when I started making "friends,". That's when people started taking an interest in me. That was the thing that made me likable, I guess. Maybe even lovable! I think that's really why I'm so hellbent on doing this as a career is because those are the moments where I felt at my most confident.
Acting had been a hobby that turned into a career, the directing was a hobby that turned into a career, and music just really allowed me to find another way to express myself. I started playing bass in November 1996, and by June 1998 I was doing my first live show.
Actually, I've always been kind of a leader, and it's kind of just stuck with me throughout my whole career.
Man, people have been waiting for me to fall off my whole career. From the first time I stepped on the court. It probably made people sick to their stomachs watching my whole career, watching the things that I've done in my career.
Pretty much my whole career, I have been aggressive. I have always been a guy that goes at pins. That's kind of the way I've been all my career, and I don't know, really, if I can change.
I've always been surprised when a straight guy likes me. It's just been like my whole life has been kinda like that. I definitely felt like when I started writing music, it wasn't writing for a gay audience at all. I was just writing for me. But what I say whenever I get this question is my best friends have always been gay, I've always been, as a person, just accepted by the gay community, and celebrated and had the best nights of my life at gay clubs. Always had a fashion sense usually with drag and I don't know. That's just kind of my people. That's just kind of where I fit in.
'Resident Evil: Damnation' was physically mo-capped and recorded with the mo-cap actors first, so there wasn't a whole lot of flexibility with timing, so it was more stringent. We had to go in individually.
I just wanted to have a look at my whole musical career, get right back to when I started and why I started doing it in the first place.
I may have had some symptoms as early as 1998 - dizziness, vision problems, balance. Anyway, it's been a progression, it hasn't stopped since I first noticed it. Each year there is a considerable decline.
So even these stages of progression, whether it's your career or whatever, you get somewhere, but then it always brings a new host of issues that are relative dissatisfactions to a certain degree. I think it was a great philosopher who once said, "Mo' money, mo' problems."
I just want to thank Wayne for even mentioning me. I've been following his career since he started, just watching him evolve. He was always clever with the rhymes. My own quest was always to get my music out to everybody in the world and working with Wayne is truly a way to get it out there.
Well I like everything but my first love has always been piano because when I started out there was a piano in my house and it was there so I just started tinkling on it really so it's always been my first love.
Hip hop has been an integral part of my life and my whole career. I started off doing videos with Ice Cube, and Dre, and Mary J. Blige, and TLC. So I've been involved in hip hop since the beginning.
Will Arnett and I were never in the same room, but once I saw early animation we started writing music for that and then he just kind of did his little rap over top, some of it was free form and some of it I made up, we all just kind of contributed to it.
Some songs started from a bass line, some started from having the full lyric and Jim, my drummer, who's also the first guy I've been in the studio with him since 16, sometimes he'd have an idea and I'd put a lyric to it and then the track evolves, there's no set way to write a song.
The 24 is just legendary, it's kind of like the 3 with Dale Earnhardt Sr. where everybody knows the rainbow 24 DuPont Chevrolet. It is just a very recognizable car, driver, just a legendary team.
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