A Quote by Serge Ibaka

I can play at four or I can play at five and I think I feel more comfortable because I'm flexible to do whatever I want to do. — © Serge Ibaka
I can play at four or I can play at five and I think I feel more comfortable because I'm flexible to do whatever I want to do.
I think you have to be more flexible to be a pro coach because once you pay the guy the money, whether he can backpedal the way you want him to or whatever, his style of play may not suit you, but you still are going to play him, and he is going to be a part of your team.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
I personally think if you're given four months instead of four weeks on a play, with the people who want to work that way, the play will invariably be different and stronger, and much more fulfilling and richer on all counts. There's no doubt in my mind about it.
I think if you can write a play, or produce a play, the first step toward success [is] if people don't want to kill themselves in the lobby. Now there must be four or five other steps, but that's the first.
I feel more comfortable where I play for Colombia because I like to be closer to the goal; that works better for me. I can score and pass from there. But as a player, I have to be prepared to play in any position.
That's why basketball was so good, because I didn't really need you or anyone else to play it. It would be better if we played four-on-four or five-on-five, but I could go out there alone.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
I guess I'd rather be comfortable and play well because I'm comfortable than to get recognition and play someplace where I wouldn't be comfortable and wouldn't enjoy myself.
I do so play an instrument! I play air! I play the air with my fingers, and I'm in touch with the deepest emotions within. It took me a while to learn that whatever I feel like doing is the right thing. If I want to play an invisible instrument, I will.
We should be far more flexible about the way we play our cricket away from home. We can't just presume that what works at home will work away. We need to be more flexible and creative both in the way we play and the way we select.
Regarding pushing the form, ideas interest me more than form. I think you can write a very subversive play in a three-act structure. The content makes the play. I feel the form is simply dressing, because ultimately, you want to communicate to the audience, and sometimes the best way to do that is to present a provocative idea in a format that is comfortable for them to receive. Then the idea will come through directly, right in solar plexus. After all, I want to make a living as an artist, and that means speaking to the audience in a form they can understand.
I want to play for my country, play for everybody, and I want to be there. I just feel like I have so many feelings and I want to play in the Olympics and feel how special if I can win that tournament.
As you get older, stuff starts to wear down. I can't play four basketball games a week anymore. It takes me three days to recover from one. I'm a little older, a little scrappier. So now I do yoga instead. And whatever else happens in the day, I'm set up in the best way possible. I feel great. I'm so flexible.
In Moscow I feel most comfortable. I'm used to four different seasons; it's difficult for people in London to understand. People brought up in Russia like my kids want to play in the snow.
Yeah, I think any time you're comfortable playing within a system you're going to play more aggressive. You're going to play with more confidence.
I can play whatever I want and play whatever the fans want to hear. I don't have to be like a salesperson up there talking about my CD through the whole show.
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