A Quote by Sergei Bongart
Contrast warm to cool. Make color sing, ring like a bell. Work from big to small.
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Forgiveness to letting go of a bell rope. If you have ever seen a country church with a bell in the steeple, you will remember that to get the bell ringing you have to tug awhile. Once it has begun to ring, you merely maintain the momentum. As long as you keep pulling, the bell keeps ringing. Forgiveness is letting go of the rope. It is just that simple. But when you do so, the bell keeps ringing. Momentum is still at work. However, if you keep your hands off the rope, the bell will begin to slow and eventually stop.
Color is a major element in scale. A small room can have a larger look by the use of closely related values, hues, and intensity. A large room can be made to look smaller by marked contrasts of color and value, hue, and intensity. Value is one of the most important elements. Whether light or dark, little value contrast makes for unity, and sharper contrast makes for stronger punctuation.
A bell's not a bell 'til you ring it, A song's not a song 'til you sing it, Love in your heart wasn't put there to stay, Love isn't love 'til you give it away!
I don't know the difference between a warm color and a cool one.
I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
You cannot do everything you want with the 3D camera, it's too big, and the digital quality of those cameras is a little bit limiting. With film, you have a lot more subtly, like with highlights and color. In terms of sharpness they (both formats) are very close; but in terms of nuance, of color and contrast, film is far superior.
I always thought Tinker bell was really cool. I'd like to be able to shrink down to a really small size and fly around to places, play tricks on people... you know, fairy-like stuff.
I kind of viewed '50/ 50' and 'Warm Bodies' both as my next films after 'The Wackness.' In my head, I was just like, 'I'll try the big, fun, adventure-weird movie, and I'll do the small, heartfelt comedy-drama, and one of them will probably work out, and I'll get to work more.'
You take that walk from the dressing room to the ring and that's when the real man comes out. Then you climb up those four stairs and into the ring. Then finally, you can't wait for the bell to ring.
When the heart is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind from the good old sea blow in to bathe the wound with salt and let it sting. Let a stray dog lick it Let a bird fly in the hole and sing a simple song like a tiny bell and let it ring.
In teaching color, you teach people how to look something and see the tone in it and break it down to be able to paint it and reproduce that color. But then, I'm psychedelic, so I look at color differently. I like colors that are in contrast with one another, so that they flicker back and forth.
I miss the ring and look forward to hearing the opening bell ring again.
Jingle bell, jingle bell, jingle bell rock. Jingle bells swing and jingle bells ring. Snowing and blowing up bushels of fun. Now the jingle hop has begun.
There's nothing great Nor small, has said a poet of our day, Whose voice will ring beyond the curfew of eve And not be thrown out by the matin's bell.
I never wanted to be a star, I never wanted to travel far / I only wanted a little bit of love so I could put a little love in my heart / I never wanted to be la-de-da, go to parties ‘avec le bourgeois’ / I only wanted to sing my song well so I could ring a small bell in your heart
I understand the psychology of the sport, especially inside the ring. From bell to bell, from when my entrance plays and I step through that curtain, people have to wonder what's going on inside that guy's head.
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