A Quote by Sergei Dovlatov

There's a reason every book, even one that isn't very serious, is shaped like a suitcase — © Sergei Dovlatov
There's a reason every book, even one that isn't very serious, is shaped like a suitcase
What if there was a library which held every book? Not every book on sale, or every important book, or even every book in English, but simply every book - a key part of our planet's cultural legacy.
Peter Keating: "Do you always have to have a purpose? Do you always have to be so damn serious? Can't you ever do things without reason, just like everybody else? You're so serious, so old. Everything's important with you. Everything's great, significant in some way, every minute, even when you keep still. Can't you ever be comfortable-and unimportant?" | Howard Roark: "No."
Usually the script is much more funny than the film turns out to be, in my case. The script is almost like a comic book but when you start making it, for some reason the film gets very serious.
I think humor is actually a very serious thing. I think the people who shaped culture, for the better, in the last 50 years or so, more than almost anyone else are people like Lenny Bruce, George Carlin, Richard Pryor and even Chris Rock, back when he was doing the edgier stuff.
For me, the music of the Beatles then was serious and very, very serious art. So I couldn't take a picture of John laughing his head off or pulling funny faces because he was a serious artist, even when he was only 20.
I'm very good at living out of a suitcase. I love dressing up every morning. It feels like a costume, in some ways.
The worst gift that I ever gave a girl was a suitcase for Christmas. As in, 'I can't think of anything to give you, but here's a new suitcase.' Afterward, I was like, 'What were you thinking, idiot?'
Zen's greatest contribution is to give you an alternative to the serious man. The serious man has made the world, the serious man has made all the religions. He has created all the philosophies, all the cultures, all the moralities; everything that exists around you is a creation of the serious man. Zen has dropped out of the serious world. It has created a world of its own which is very playful, full of laughter, where even great masters behave like children.
So I can go and let out everything that I feel about every bogus weekly cover, every single bogus skit, every single rumor and barber shop-everything that people feel is ok to treat celebrities like zoo animals, or act like what they're saying is not serious, or their lives are not serious or their dreams are not serious.
In general, a writer would like to think that the best book that he has written is the book that he is writing, and the next book will be even better. Maybe if this is not true, it is very useful to keep the illusion alive.
Hey, let's get serious... God knows what he's doin' He wrote this book here And the book says: 'He made us all to be just like Him', So... If we're dumb... Then God is dumb... (And maybe even a little ugly on the side)
Book ideas are like planes, lined up to approach the runway. Some never leave the gate, but others move quickly to the front of the line. It was like that with The Four Purposes. Honestly, I cannot remember the moment I had the idea for the book; perhaps because it emerged like a green shoot emerging from the soil of my subconscious. But it seemed important enough to begin the flow of words that eventually shaped themselves into this new book.
The seriousness or otherwise of the subject matter is often irrelevent to the question of whether a book is any good. F Scott Fitzgerald wrote a great and beautiful novel which mainly involved shallow people going to parties in a rich guy's house. By contrast, all sorts of terrible books are published every month about men slaughtering people for no reason - a serious matter which, in itself, does not make the author worthy of serious consideration.
Every one of us owes a debt to the people who have shaped our minds and influenced our thinking and very often reasoning. For some, it is a school teacher or then professor in college for others, it could be a family member, a character of a book or movie.
There is no reason why a serious film, one about life, can't be enjoyable, maybe even fun. Emotions can be very entertaining, you know. I try to use them generously in my films.
The trick at every turn was to endure the test of living for as long as possible. The odds of survival were punishingly slim, for the world was naught by a school of calamity and an endless burning furnace of tribulation. But those who survived the world shaped it--even as the world, simultaneously, shaped them.
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