A Quote by Sergei Lukyanenko

Nobody can be forced to commit an act of villainy. You can't push anybody into the mud; people always step into it themselves. — © Sergei Lukyanenko
Nobody can be forced to commit an act of villainy. You can't push anybody into the mud; people always step into it themselves.
If you're a woman and you've decided to step in front of people on any kind of platform and say that you have feelings about anything, you are committing a radical act. People view it as such, so you might as well actually commit a radical act.
Nobody has ever wanted - they get forced to fight Yoel. Ask anybody.
This is a story about four people named Everybody, Somebody, Anybody and Nobody. There was an important job to do and Everybody was asked to do it. Everybody was sure Somebody would do it. Anybody could have done it, but Nobody did it. Somebody got angry because it was Everybody’s job. Everybody thought Anybody would do it, but Nobody realized that Everybody wouldn’t do it. It ended up that Everybody blamed Somebody when Nobody did what Anybody could have done.
Millions of people have decided not to be sensitive. They have grown thick skins around themselves just to avoid being hurt by anybody. But it is at great cost. Nobody can hurt them, but nobody can make them happy either.
In real life, I don't think anybody is all one shade. People who are perceived to be really good have bad thoughts and inclinations that they sometimes act on, I'm sure, and people have different sides to themselves.
There’s a great expression in Twelve Step programs: Act as if. Act as if you’re a writer. Sit down and begin. Act as if you might just create something beautiful, and by beautiful I mean something authentic and universal. Don’t wait for anybody to tell you it’s okay. Take that shimmer and show us our humanity. That’s your job.
The mother eagle teachers her little ones to fly by making their nest so uncomfortable that they are forced to leave it and commit themselves to the unknown world of air outside. An just so does our God to us.
Most comedians want to be the architect of their own embarrassment. They have horrible self-esteem issues. I would rather push myself into the mud. I don't want to be pushed into the mud. I think that is probably true. I think most people struggle with self-acceptance. But comedians get a chance to self externalize.
I think part of our problem right now in the country is that people feel that nobody listens to them. And that means that they just don't trust anybody in government, anybody in politics, and anybody in the economy.
We step up and fight the top names that nobody wants to fight. So if I hear people saying, 'oh, you're ducking this or ducking that,' no I haven't ducked anybody.
What I always meant by that was that I do believe that a lot of directors, and writers, and sometimes producers just lose their edge because they haven't seen anybody or talked to anybody or been with anybody who isn't a kind of replica of themselves for a long period of time.
I'm drawn toward filmmakers who have a very distinctive voice. I really appreciate people who push themselves and, therefore, push the medium forward.
For in all the world there are no people so piteous and forlorn as those who are forced to eat the bitter bread of dependency in their old age, and find how steep are the stairs of another man's house. Wherever they go they know themselves unwelcome. Wherever they are, they feel themselves a burden. There is no humiliation of the spirit they are not forced to endure. Their hearts are scarred all over with the stabs from cruel and callous speeches.
I never start anything 'I want to be No. 1. I want to win Grand Slam.' For me, no. It's always step by step. The only thing I want to do, it's to push the limit.
I don't know whether these people are going to find themselves, but as they live their lives they have no choice but to face up to the image others have of them. They're forced to look at themselves in a mirror, and they often manage to glimpse something of themselves.
I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each ofthese works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.
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