A Quote by Sergei Polunin
For many years I saw the world as two sides: east and west, two powers. And I was trying to search what is white, what is black. Both sides wanted me.
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We like things to be black or white, tall or short, here or there. We like to consider two sides to every story. Unfortunately, there aren't always two sides. Sometimes there's only one; more often, there are multitudes. Many facets on the stone. Nooks and crannies in abundance. Things are usually not either black or white, but multicolored.
In writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
I think both sides [China and United States] should work hard to build a new type of relationship between big powers. The two sides should cooperate with each other for a win-win result in order to benefit people from the two countries and the world.
I do think there will be a better understanding between the two sides - East and West. And eventually, the so-called two sides will disappear, and there will only be the conflict between those with power and those without it.
D.H. Lawrence, I think, defined the difference between writing an article and writing a novel very well. He said, in writing a novel, the writer must be able to identify emotionally and intellectually with two or three or four contradicting perspectives and give each of them very a convincing voice. It's like playing tennis with yourself and you have to be on both sides of the yard. You have to be on both sides, or all sides if there are more than two sides.
I've often made critical comments about settlement expansion in the occupied West Bank and in east Jerusalem, and my position hasn't changed. At the same time, it's equally important to me that the two sides, both Israel and the Palestinians, work towards a durable peace settlement: that's to say a viable two-state solution.
It takes two sides to make a deal, two sides to negotiate and two sides to make it go bad.
It's two sides to everybody. I'm a manager - I'm a promoter - and I'm a fighter, so it is two sides to me. That's a balance there.
I'm not a political person. I don't understand politics, I don't understand the concept of two sides and I think that probably there's good on both sides, bad on both sides, and there's a middle ground, but it never seems to come to the middle ground and it's very frustrating watching it and seemingly we're not moving forward.
To 'see both sides' of a problem is the surest way to prevent its complete solution. Because there are always more than two sides.
We all have at least two sides. The world we live in is a world of opposites. And the trick is to reconcile those opposing things. I've always liked both sides. In order to appreciate one you have to know the other. The more darkness you can gather up, the more light you can see too.
I think the two sides to me are the same as two sides to anybody. In relation to the link between doing the label and being a DJ, it goes back to the thing of necessity. It's the only way I feel I can do something creative that's going to satisfy me.
People have two sides, and a person first becomes appealing when you discover both of those sides - and worlds work exactly the same way.
So, I was in a segregated, all black, public elementary school until fourth grade, until my father died. And that's when my mother transferred me to a private, predominantly white school and I saw both sides of the world at a very young age.
I don't believe there's two sides to every story. It's black and white. There's right and wrong.
One could think of a person who seems to have two opposing and contradictory sides to his personality; but it turns out that in the end the two sides are complementary. The same happens with an artist's work: deep down, what appear as contradictory sides are merely different registers, different aspects of the reality that the artist inhabits
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