A Quote by Sergei Polunin

I got the same recognition in Russia in one week that I got in London after five years. — © Sergei Polunin
I got the same recognition in Russia in one week that I got in London after five years.
We got the Iran sanctions done. We got an agreement by Russia to allow us to use Afghanistan to transit supplies for our forces. We got a Security Council resolution on Libya. We got Russia into the WTO to bring in to it a rules-based trading system. All of those things were in our interest. The point is not whether we should work with Russia. The point is whether we should sacrifice other important interests to do so.
My father didn't do a lot of direct education. My mother was the direct educator. She would put on these movies on American Movie Classics when we got cable, after my parents got divorced, which took like four or five years.
To play today in London, next week in Madrid and the week after that in Warsaw is a bit better than playing Newark and Baltimore and Philadelphia. I've been doing that for 20 years.
I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.
Yeah it's completely different, it's matured tenfold. We wrote the first album over five years as teenagers but now we've got the opportunity to do InMe full-time. We've got closer together, we've got a better connection.
After struggling for five years I got my first break in TV with 'Ramayan.'
I'm glad I got to do 'The Last Five Years' and 'Into the Woods,' which are both shows that I just don't think I could have the stamina to do them eight times a week. I just have so much respect for the women who do these vocal roles eight times a week. They're so challenging.
I was a carpenter in Northern Vermont and got this tax refund check that just about covered a one-way airfare to London. So this I saw as a sign from God. So I went over to see Ray [Hussett] for a couple of weeks and ended up staying 10 years. I got work as a stage carpenter at the Oval House in Kennington, South London.
I got an invitation to go to the Olympic trials. And in the same week, I got a telegram from a... big executive at Columbia Records.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
I kept doing tryouts, and finally, after five years I got signed by WWE.
I was going to be in an acting school in London, and then I promptly got thrown out of an acting school in London. Well, it wasn't that I got thrown out as much as I was not invited back, which is the same thing, just more polite.
I remember the early 1980s, when I first got one of these fabulous film critic jobs. The downside was sitting through 'Splatteria III: The Dismembering of the Clampett Clan' or 'The Oklahoma Meatgrinder Massacre' or some such. The headaches unleashed by watching attractive kids die week after week after week cannot be imagined.
You should have felt the buzz the moment all five of us got together in the same room for the first time again. We all started laughin'—it was like the five years had never passed. We knew we'd made the right move.
I said it when I got hired. I said, for five years, I had a 1,000 people telling me I was going to be a head coach in the NBA. And when I got the job, those same 1,000 people were shocked.
Let's face it, we're all clones nowadays. We've all got the same archives, we've all got the same Hyundai, we've all got the same Mac or PC components, and we're all being told the same news stories globally.
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