A Quote by Sergei Polunin

When I was a kid I always liked scratching myself - making shapes, making drawings, and I always thought I would have a tattoo. — © Sergei Polunin
When I was a kid I always liked scratching myself - making shapes, making drawings, and I always thought I would have a tattoo.
I would have only doubted myself if I was really attached to the result of what I was doing, but I was always doing it and will always do it for the love of making songs, and if you liked it you liked it, if you didn't, you didn't. It was always pure and always will be pure.
I feel like fashion and music relate to each other in a lot of ways. I always had to be creative: I'm a very creative person. I always liked making stuff. Apart from music, I always liked making clothes. You're able to express yourself.
Making books has always felt very connected to my bookselling experience, that of wanting to draw people's attention to things that I liked, to shape things that I liked into new shapes.
The principle factor in my success has been an absolute desire to draw constantly. I never decided to be an artist. Simply, I couldn't stop myself from drawing. I drew for my own pleasure. I never wanted to know whether or not someone liked my drawings. I have never kept one of my drawings. I drew on walls, the school blackboard, odd bits of paper, the walls of barns. Today I'm still as fond of drawings as when I was a kid - and that was a long time ago - but, surprising as it may seem, I never thought about the money I would receive for my drawings. I simply drew them.
I love drawings, so I've always enjoyed making drawings that exist on their own.
I've always liked being funny and making people laugh. I was a cut-up when I was a kid, and was always doing bits for my friends and family.
I always look for a woman who has a tattoo. I see a woman with a tattoo, and I'm thinking, okay, here's a gal who's capable of making a decision she'll regret in the future.
I always say I thought I was making this exciting action movie but I actually always end up making character studies. Every single one.
If I wasn't from Philly, I couldn't promise you that I would have the same drive and the same ambition because, as a little kid, I always saw myself as making it out, and I would escape with television.
I've always liked being funny and making people laugh. I was a cut-up when I was a kid and was always doing bits for my friends and family. I remember doing pratfalls on the playground in fourth grade for my friend and really hurting my hip.
I started, obviously, doing theater, and I always thought that I would; in a way, I always thought that I'd be a theater actor. When I was starting out, I didn't really plan on making films, actually.
While I always thought of making sequels to movies like 'Ghayal,' the filmmakers would almost always veto the idea.
It always sounds kind of trivial, but when I was a kid I was always so impressed by how serious the comic books were. I always liked how they were half way between literature and the cinema. I liked the visuals and I liked the simplicity of a certain type of moral dilemma.
During the entire process of making this film I never thought about whom I was making it for. I always thought that the film was for me, but I didn't think of any of that. I just did what I thought I had to do. I didn't think, "This is what children are going to think" or "This is what adults will understand."
I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.
I was always the guy - out of insecurities, I was always making fun, even as a kid.
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