A Quote by Sergei Prokofiev

I strenuously object to the very word "grotesque" which has become hackneyed to the point of nausea...I would prefer my music to be described as "Scherzo-ish" in quality, or else by three words describing the various degrees of the Scherzo - whimsicality, laughter, mockery.
Oh, it was gorgeosity and yumyumyum. When it came to the Scherzo I could viddy myself very clear running and running on like the very light and mysterious nogas, carving the whole litso of the creeching world with my cut-throat britva.
Prefer the familiar word to the far-fetched. Prefer the concrete word to the abstract. Prefer the single word to the circumlocution. Prefer the short word to the long. Prefer the Saxon word to the Romance.
"Real" drawing is about specifics. It's about describing an object as accurately as possible. In a comic strip you have to draw a picture of the idea of the object. You have to draw the word that you are picturing, then you have to mix in specifics with it for it to work as a story. But you are still working with drawn words.
So for instance in rap music, you very often hear words that would seem very racist, or very misogynous or very homophobic but in some of those instances, the words are being taken back or redefined so that they lose their injurious quality.
The idea of political content is irrelevant. Content is irrelevant. I always tell my students, "Never forget you're writing words! You know, word one, word two, word three, word four. The words have to be organized. Nothing else does."
A strange adventure befell me while I was playing my Sonata in B flat minor before some English friends. I had played the Allegro and the Scherzo more or less correctly. I was about to attack the March when suddenly I saw arising from the body of my piano those cursed creatures which had appeared to me one lugubrious night at the Chartreuse. I had to leave for one instant to pull myself together after which I continued without saying anything.
There is something very human in this apparent mirth and mockery of the squirrels. It seems to be a sort of ironical laughter, and implies self-conscious pride and exultation in the laughter.
The individual representation of the object, treated sympathetically or antipathetically, is highly necessary and is an enrichment to the world in form. The elimination of the human relationship causes the vacuum which makes all of us suffer in various degrees - an individual alteration of the details of the object represented is necessary in order to display on the canvas the whole physicals reality.
Wonder โ€” the enthusiastic ardor for the sublimity of being, for its worthiness to be an object of knowledge โ€” promises to become the point of departure for genuine insight only where it has reached the stage in which the subject, overwhelmed by the object, has, as it were, fused into a single point or into nothing.
With a computer, there are too many choices, and I always liked working within limits. You know, if you look at Mozart, who had this strict classical framework - an allegro, an andante, a scherzo and a finale - you see that within that formula, he got results he might never have gotten if he had all the options in the world.
The point is seeing that THIS - the immediate, everyday and present experience - is IT, the entire and ultimate point for the existence of a universe. I believe that if this state of consciousness could become more universal, the pretentious nonsense which passes for the serious business of the world would dissolve in laughter.
Kids use words in ways that release hidden meanings, revel the history buried in sounds. They haven't forgotten that words can be more than signs, that words have magic, the power to be things, to point to themselves and materialize. With their back-formations, archaisms, their tendency to play the music in words--rhythm, rhyme, alliteration, repetition--children peel the skin from language. Words become incantatory. Open Sesame. Abracadabra. Perhaps a child will remember the word and will bring the walls tumbling down.
All I can say is that laughter is my music; I would deeply suspect an argument which hadn't laughter.
You may grow very quickly the first two years and then watch the business decline, unless you really start selling product at any price range with various degrees of quality.
The word 'religion' is only a label. What lies behind that, the most important thing of all, is the word 'faith'. You either have faith, or you don't have faith, or you have degrees of faith - and if you have degrees of faith, then you become agnostic. You're kind of in-between, or you're on the fence.
No one knows ish about ish, though some ish does get much closer to the real ish.
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