A Quote by Sergio Aguero

I knew Manuel Pellegrini from my time in Spain. I'd only heard good things about him, that he was someone who instilled the confidence in his players to go out and play good, attacking football.
I talked with Manuel Pellegrini before he left Malaga. I knew of his intention to take me with him to Manchester City. But I was unsure whether he would stick with the same keepers he had already.
Manuel Pellegrini had convinced me to go with him to Manchester City. I was doing very well at Malaga, but I accepted.
I was also lucky to play for an owner, Bud Selig, who truly cared about his players. He'd call me into his office once in a while when he knew things weren't going so well. And it's funny. Every time I left there I always felt like something good was about to happen.
My second year in Rome was very good. Back then, a striker was a striker. Strikers scored goals; they didn't defend. Today this is normal, but it wasn't at that time. If you wanted to play my style of football you couldn't have old players or famous players who were unwilling to do the job both ways: attacking and also defending.
That's a part of being a good football team and being good players is when it's time to go play and turn what you've practiced, what you've watched, into the game reality, we've got to go do that.
German virtues are now about technically good players playing attacking football.
We don’t have to do a bunch of things to figure out how to win the Ryder Cup. Just go play golf. ... I’m a little bit too casual probably about a lot of things, but you can’t force good play. Good play comes from good hard work and actually being prepared to play, not being forced to play.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
I understood I had to be good at school so I could play football in my free time. Usually, by the time I came home from school, I already had all my things ready for the next day, so I could put my bag on the side and go straight out to play football with my friends!
It is always good to play against the best players in the world and Eto'o has been in his time. He has that bit of class about him.
Everything I do I always feel very confident. Whether it's tennis, badminton, football, whatever. I just go out there and think I can do it and most of the time I can. What I'm good at I don't mind saying because it's not a secret, is it? For me confidence is so important. It's good to know I can go out on the field and feel I can take on the world.
Arsene Wenger's idea is not only to play good football. It's to play good football to win. In my day, we knew that with our style we could hurt teams and win trophies too. But we did it our way, with the positional game, passing, movement.
It's not really important whether we play beautiful football. It will be good if we play attacking football and score a lot of goals. But the main objective is to win.
I didn't know too much about Bolton but I knew other Spanish players were here. I didn't talk to them but I heard good things about Bolton.
People felt themselves watching him even before they knew that there was anything different about him. His eyes made a person think that he heard things that no one else had ever heard, that he knew things no one had ever guessed before. He did not seem quite human.
My idol was always Tomas Rosicky. He used to be phenomenal. He had such a good eye for an opening and knew where his team-mates were and he was so quick. I copied everything about him – right down to his sweatbands. [] he would be one of the world’s best players. Jack Wilshere is a perfect player. Boy, he’s good. He’s so quick and skillful with the ball at his feet.
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