A Quote by Sergio Busquets
Figo was my hero. Then he joined Madrid. Barca fans hated him for that. It was impossible for him to be a hero any more, but now that I'm a professional, I see things differently.
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It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
When you see the violence of Hollywood movies, there is a tendency that the hero is combating and confronting many people, without much harm to himself. But in my films, the hero takes a lot of hits so the very act of the hero being the one on the receiving end, makes the audience cheer and connect with him.
When you have a popular hero in your film, you have to think of what the masses expect from him. You have to portray the hero in such a way that they should adore him.
You are a vain fellow. You want to be a hero. That is why you do such silly things. A hero!... I don't quite know what that is: but, you see, I imagine that a hero is a man who does what he can. The others do not do it.
In war-time a man is called a hero. It doesn't make him any braver, and he runs for his life. But at least it's a hero who is running away.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
You can do everything differently in a novel. Hero narrates the novel; we're in his head. You're hearing all his thought processes and you're hearing him call himself out on his bad behavior. You don't have the benefit of that narrator in a movie. What you see a character do, very often, becomes that much more important because you don't have him editorializing it for you.
A man can be a hero if he is a scientist, or a soldier, or a drug addict, or a disc jockey, or a crummy mediocre politician. A man can be a hero because he suffers and despairs; or because he thinks logically and analytically; or because he is "sensitive"; or because he is cruel. Wealth establishes a man as a hero, and so does poverty. Virtually any circumstance in a man's life will make him a hero to some group of people and has a mythic rendering in the culture - in literature, art, theater, or the daily newspapers.
The Luke Cage you saw in Season One was a reluctant hero. He was trying to figure out if he wanted to be a hero in the first place. And then fate intervened and forced him to step up his game.
The monster does not need the hero. it is the hero who needs him for his very existence. When the hero confronts the monster, he has yet neither power nor knowledge, the monster is his secret father who will invest him with a power and knowledge that can belong to one man only, and that only the monster can give.
Because he's the hero Gotham deserves, but not the one it needs right now. So we'll hunt him. Because he can take it. Because he's not our hero. He's a silent guardian, a watchful protector. A dark knight.
In 'Njan Prakashan,' we set aside conventional definitions of a hero. Fahadh Faasil does not play a protagonist who wins all the time and you can see the character flee during fights. Such a hero is a rarity and the viewers could easily identify with him.
There's a million and one things an actor can do with a villain. He can go for all kinds of quirks and tricks. The hero is much harder to define for an actor. When you play a straight role or a hero, you're kind of stuck, It's much more difficult to give a good guy interesting qualities or to make him unusual.
The truly tragic kind of suffering is the kind produced and defiantly insisted upon by the hero himself so that, instead of making him better, it makes him worse and when he dies he is not reconciled to the law but defiant, that is, damned. Lear is not a tragic hero, Othello is.
See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older.
One of the amazing things about Spider-Man is that you don’t see skin colour when he’s in the suit. You don’t see any religious beliefs. A hero is a hero, whether you’re a man, woman, gay, lesbian, straight, black, white or red all over ? it doesn’t matter.
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