A Quote by Sergio Chejfec
I find that, for me, it is this concept of borrowed or built life, life on loan, that gets me writing. It's similar to speaking about literature. I like it, and then I don't like it. It has such an inherent vein of pretention, because you're not speaking about real things. There's a literary pretentiousness made of speaking and spending so much time on unreal persons. And it seems, now, impossible to create an unpretentious, totally organic character.
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When we speak about wisdom, we are speaking about Christ. When we speak about virtue, we are speaking about Christ. When we speak about justice, we are speaking about Christ. When we speak about peace, we are speaking about Christ. When we speak about truth and life and redemption, we are speaking about Christ.
I do lots of reading and speaking at many universities about literature and also about politics, which is as much a part of my life as the literature.
To me, writing is a matter of voice. I think like that. The expression I sometimes use to myself is 'actual song.' That what I do is somewhere on the line between speaking to you as I am now and actual song. And the things I love when I say one of those poems to myself - it's a little bit like singing, it's a little bit like speaking.
The biggest issue for me has been the language because I speak so much German now. I've had to focus on my English and find more words to describe what I want to say and also soften my tone. It was quite stiff from 20 years of speaking German, so when I started speaking more English, oh my god, my tongue was like: 'Argh'!
Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great hypnotic blah, blah." You can sit around and have these pity parties for yourself. Of course this is bullshit. If an art form is marginalized it's because it's not speaking to people. One possible reason is that the people it's speaking to have become too stupid to appreciate it. That seems a little easy to me.
When I have to switch back and forth, it's not hard to go from the American accent to speaking Spanish, but then speaking Spanish and going back into the American accent is hard. I practice it so much. I talk to myself in the mirror all the time. It's like speaking multiple languages.
What crystallized the importance of speaking out like that - of making nonviolence not just a tool or a tactic, but a way of life - was in San Diego [at Comic-Con]. One of the young girls who marched with us was wearing a hijab, and she came up to me afterward because I talked about my beard, and I talked about why I was doing it, and she came up and she gave me a hug, and she was crying. And she said, "Thank you. You have no idea how the other students treat me because they're shown that this is OK by Donald Trump. Thank you for speaking out."
Mathematically speaking, it seems impossible that there isn't life out our planet. If you flick on the news, it certainly seems like we have aliens among us.
Trap music to me isn't just a sound. If we're talking about what I think trap music is, I couldn't say that I created it or no one created it, because if you were living the same life that I was living and you're speaking about it, we just speaking about our endeavors in that world.
The TED talk I gave, that gave me another character I didn't know about. I'm not saying the mind of a hero, but a kind of responsibility. Every word I'm speaking, it's not from myself. I'm speaking for and representing the people of communist North Korea.
For many years, I didn't even like the idea of doing a one-person play. Public speaking got me past that. I've always been good at public speaking, but I never really enjoyed it. Then I started to really enjoy it, and that's made all the difference.
I used to be incredibly afraid of public speaking. I started with five people, then I'd speak to 10 people. I made it up to 75 people, up to 100, and now I can speak to a very large group, and it feels similar to speaking to you one-on-one.
If you're hungry, God is feeding. You know, if you're listening; He is speaking. And I think sometimes trouble and intense hardship can make us - it made me at times, you know, block our ears, shut our eyes, it's like too much. But actually He's speaking, He's encouraging us, He's loving us all the time.
We spend so much time, these days, on forms of literature that don't rise to be literature, and I'm speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.
I travel all over the United States basically in evangelism, speaking in churches, speaking in prisons, speaking in rehab centers wherever I can basically sharing my story of redemption and the turnaround in my life.
When you speak a foreign language, you become someone else. If you aren't used to speaking a language, and you start speaking it again, for the first few sentences you'll find yourself in very strange shape, because you're still the person who was speaking the first language. But if you keep speaking that language, you will become the person who corresponds to it.
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