A Quote by Sergio Leone
I've tried to consider stories that I have read, making them into films, but they would turn out unnatural. If a producer wants that, he should call other people. Not me.
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I believe that if a child has a feel for writing and wants to write, there is an audience. Children should just dive in and go at it. I would encourage children to write about themselves and things that are happening to them. It is a lot easier and they know the subject better if they use something out of their everyday lives as an inspiration. Read stories, listen to stories, to develop an understanding of what stories are all about.
I never imagined people like Thanos and Warlock would be drawn into films. They're weird characters in weird stories. Luckily, the twisted kids who read those weird stories are now the twisted adults who are making movies.
Everybody wants to feel that you're writing to a certain demographic because that's good business, but I've never done that ... I tried to write stories that would interest me. I'd say, what would I like to read?... I don't think you can do your best work if you're writing for somebody else, because you never know what that somebody else really thinks or wants.
Well, I started years ago with Flashdance and we also did Coyote Ugly, so I have put my toe in the water before with romantic comedies. I love making them and I love making people laugh. That's a trademark that I don't think any producer would turn down.
In Punjabi, we make romcoms or just comedy films because that's what the audience wants. They want family entertainers. We've tried making action films, but there are no takers for that.
Back when people couldn't read, other people would take newspapers and turn them into theater so that people would know what was going on in the world. That is a powerful thing.
There are films that I don't like, and then someone will come up to me and say it's their favorite movie. The movies belong to the people. You make them and you put them out. For me, I love the process of making films. For me, my favorite film is always my next one.
To me it is just common sense that we should be making apprenticeships readily available to every young person who wants to go down that route - and encouraging people to consider taking this path just as readily as we would encourage someone to look into a university degree.
I know the struggle from the inside out and I would never be so bold as to call myself a writer. I think that is what other people call you. But I consider myself a member of a community in Salt Lake City, in Utah, in the American West, in this country. And writing is what I do. That is the tool out of which I can express my love.
I never have people tell me their stories. I usually have to figure them out myself. Because I know that if people tell me stories, they will expect them to be remembered. And I cannot guarantee that. There is no way to know if the stories stay after I'm gone. And how devastating would it be to confide in someone and have the confidence disappear? I don't want to be responsible for that.
Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.
People always call me a comedian. And I don't really see myself like that. I guess I just consider myself an actor who does comedy. But who wants to do other things as well.
To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
It seems to me that making escapist films might be a better service to people than making intellectual ones and making films that deal with issues. It might be better to just make escapist comedies that don't touch on any issues. The people just get a cool lemonade, and then they go out refreshed, they enjoy themselves, they forget how awful things are and it helps them - it strengthens them to get through the day.
I've heard stories of other people that are similar stories to me - their mother or father passing away. People have come out to me on Instagram. It's amazing that they can tell me and confide in me. I always want to take the time and write these long messages telling them how much that means to me.
I consider that a most ignoble endeavor. The only way I would like to 'help' the great majority of people is the same way Carl Panzram 'reformed' people who tried to reform him. It would be most merciful to help them by relieving them of the life they seem to hate so much. People should be happy I'm not a humanitarian-or I'd probably be the most diabolical mass murderer the world has ever known.
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