A Quote by Serj Tankian
My personal relationship with music is an imperfect harmony because I never studied music, but here I am not just writing for bands but full orchestral sections and doing all this composition, and I never learned the right way of doing things so I have a lot of dissonant sounds and things that are brought to my attention, and generally I leave them that way because I like those imperfections.
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It is against the spirit of our non-discriminating times to openly prefer one sort of music to another, so let's just say that hearing grand orchestral music in a public place is exhilarating in a way that hearing popular music never can be, if only because, in a popular music age, a full orchestra is less familiar to our ears.
I have never learned to read or write music so I am not a virtuoso musician like the others you mentioned. I am completely unable to play like them because I never learned classical music, I just developed my own crazy style!
If you play music for the right reasons, the rest of the things will come. The right reason to play music is that you love it. That's why I play music. I never imagined that I was going to be doing this, especially because I never thought of myself as an instrumentalist.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
I don't think that those things [so called common practice] ever truly existed in the way that we like to believe that they do, the way we learn about them in music history class. Those things are defined at least decades after they happen. And even then, it's a fallacy because when you're in the moment, when you're in a thriving scene of musicians, inevitably everyone is going to be doing something completely different from everyone else
I like traditional music. I listen to a lot of it. There is no particular reason to present these recordings. I love what I do so I find ways to keep doing what I love. Music is certainly not all that interests me. I hear things my own way and I present them. Sound is inspiring and I can be quite obssessive with certain sounds.
My music is just fresh. Everybody say it's a breath of fresh air because it's not like the normal Houston sound you would hear. I am from Houston and I use that same slang and I carry myself the same way as a Houstonian and I'm a Houston dude born and raised, but the music is a lil bit different due to the things I've seen and the things I've learned and put that into my music.
Maybe I just never learned my harmony part, because what everybody says sounds odd to them sounds perfectly natural to me.
Um, well my main profession is acting and music is what I love doing. It's kind of nice like that in a way because it means I'm under no real pressure with the music. I have got complete creative control and I can make whatever I want. So, that takes a lot of the pressures off because there's no financial pressure. And it's something I've always loved doing.
I never took a grant or borrowed a penny from anybody. It was partially because I didn't really know how to do that, but secondly, my pride never would have allowed me to. In the beginning it was about doing it the right way, on the merits of the music.
The way I listen to music goes in waves depending on a lot of things. How busy I am, if I'm in between composition projects, if I'm starting a new project. So, the only time I listen to the radio for music is with my daughter's when I'm driving them to school, or driving them somewhere.
So rather than really have, like a close relationship to anything that's coming out today, people are just, they've got it on as background music. It's kind of the same way the cabdrivers use music; it's very disposable. But, that doesn't mean there aren't a great number of artists who are doing things to change that.
Even though country is a large percentage of what I do. I don't want to get locked into just one area because I write a lot of different kinds of music and I like doing three-part harmony, minor chords and pop music.
I can't work out and *not* be watching or listening to music or something. I also journal a lot. I think writing is super therapeutic. And then, hanging with my nieces and nephews. Just like baking or doing silly stuff like jumping on a trampoline, doing fun things with them, pretending I'm five with them, that makes my day.
I had a drummer in my band who started teaching me tricks to come up with interesting rhythms. Because I don't come from a musical background, I've never studied music, and I don't know music theory at all, so a lot of stuff I discover on my own are things students would learn in the first grade of music.
I'm just a music fan. I like pretty much all types of music, and I feel like I can get something out of everything. It just makes work a lot more fun whenever you're working on different things all the times and usually once I work with a band I usually will want to work with them again, just because we become good friends. That sometimes is the only bad thing, is that I work with bands that I already know. That's not really the best thing in the world because I should always be keeping my eyes out on other things.
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