A Quote by Serj Tankian

It's the idea of a multi-sensory experience stemming from music that opened my interest into painting, to be honest. — © Serj Tankian
It's the idea of a multi-sensory experience stemming from music that opened my interest into painting, to be honest.
People are multi-dimensional and crave a multi-sensory experience.
The artist has some internal experience that produces a poem, a painting, a piece of music. Spectators submit themselves to the work, which generates an inner experience for them. But historically it's a very new, not to mention vulgar, idea that the spectator's experience should be identical to, or even have anything to do with, the artist's. That idea comes from an over-industrialized society which has learned to distrust magic.
You don't need to be a performer in order to dive into the sensory experience of music. Simply get as close as you can to the source of the music.
We are evolving from five-sensory humans into multisensory humans.... The perceptions of the multi-sensory human extend beyond physical reality to the larger dynamical systems of which our physical reality is a part.
My interest in India began with my interest in Indian painting and music and that grew.
Usually my starting point is something that I've seen. It might be a painting, it might be an object. But they always start from a definite sensory experience.
Painting doesn't have a function, not in the way that music or film does... I mean, you can dance to music. Music can be used for a soundtrack, so it has a function in that sense, beyond itself. But painting doesn't... But I do believe that painting has a purpose.
As you become multi-sensory, you begin to see yourself as a soul first and a personality second. You begin to experience yourself as more than a body and more than a mind. and the circumstances around you as meaningful and designed for your spiritual growth.
The concept and vision of 'Electronic Nature' is to give my fans a fully immersive sensory experience of music, visuals and more.
There is only one essential difference between consciousness and dreaming, and that is sensory input. Your experience is a dream, so is my experience. This stuff about how the frontal cortext is repressed during dreaming. Lucid dreaming presents an obvious contradiction to it. The only difference is sensory input.
Information and communications technology unlocks the value of time, allowing and enabling multi-tasking, multi-channels, multi-this and multi-that.
Ours is a culture based on excess, on overproduction; the result is a steady loss of sharpness in our sensory experience. All the conditions of modern life - its material plenitude, its sheer crowdedness - conjoin to dull our sensory faculties
When I started working on ambient music, my idea was to make music that was more like painting.
All that stuff about flatness - it's this idea that painting is a specialized discipline and that modernist painting increasingly refers to painting and is refining the laws of painting. But who cares about painting? What we care about is that the planet is heating up, species are disappearing, there's war, and there are beautiful girls here in Brooklyn on the avenue and there's food and flowers.
A soul subject is something that resonates with you deeper than the intellect can reach...a multi-sensory perception...a recognition of a new freedom that is calling you.
As we become multi sensory, we move beyond the limitations of the five senses and we now are evolving to a different mechanism in the exploration of physical reality.
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