A Quote by Serj Tankian

I have a more direct avenue to expression as an artist than I ever would as a politician. — © Serj Tankian
I have a more direct avenue to expression as an artist than I ever would as a politician.
All I can say on the Guilford story - and this comes more from my perspective as a father than an artist - is for parents and administrators to give so little value to the career of a public-school teacher - to allow him to be cast aside without exhausting every avenue to resolve the issue - is an obscenity worse than anything I've ever drawn in my comics.
Drawing is the artist's most direct and spontaneous expression, a species of writing: it reveals, better than does painting, his true personality.
But politics is something that would require so much of me. I'm a public figure now, but as a politician... It's more likely that I'll become a sportscaster than a politician.
The life of a chess master is much more difficult than that of an artist - much more depressing. An artist knows that someday there'll be recognition and monetary reward, but for the chess master there is little public recognition and absolutely no hope of supporting himself by his endeavors. If Bobby Fischer came to me for advice, I certainly would not discourage him - as if anyone could - but I would try to make it positively clear that he will never have any money from chess, live a monk-like existence and know more rejection than any artist ever has, struggling to be known and accepted.
The expression of beauty is in direct ratio to the power of conception the artist has acquired.
One of the major changes in attitude that occurred in the world of art as we moved from the nineteenth into the twentieth century was that the twentieth century artist became more involved with personal expression than with celebrating exclusively the values of the society or the church. Along with this change came a broader acceptance of the belief that the artist can invent a reality that is more meaningful than the one that is literally given to the eye. I subscribe enthusiastically to this.
The idea of a talent that was bigger than an artist's ability to choose to use it, that would dictate the artist's life more than the artist could dictate, was interesting to me.
We can change the expression of more than 70 percent of the genes that have a direct bearing on our health and longevity.
No more fatuous chimera has ever infested the brain than that you can control opinions by law or direct belief by statute, and no more pernicious sentiment ever tormented the heart than the barbarous desire to do so. The field of inquiry should remain open, and the right of debate must be regarded as a sacred right.
The satisfaction comes because you work hard and it pays off. It is not as glamorous as I thought it would be, but, you know, I appreciate it more than I ever knew I would, and I love it more than I ever knew I would.
'Park Avenue: Money, Power and the American Dream' is an intentionally angry film. How could it not be when the chance of an infant dying is five times greater on the Bronx Park Avenue than on Manhattan's Park Avenue just across the Harlem River?
There are some people who may not like precision in their art. They may like it to be grittier and more gestural, more of a direct expression in the way that a painter would put his strokes on canvas.
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.
China is important to the world in that they are a force and on the move. Exposing them to figurative art opens up a potential for artistic expression far greater than anyone would ever have dreamed possible until today. It is this very spirit of the struggle and determination to triumph that inspires creative expression.
Beauty, like truth, is relative to the time when one lives and to the individual who can grasp it. The expression of beauty is in direct ratio to the power of conception the artist has acquired.
Childhood play is nothing more than an expression of our individuality and preparation for human interaction. Everybody’s an artist. Unfortunately we don’t treat them as such.
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