A Quote by Seth Curry

For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.
I think the thing that helps you get to the next level is being able to affect the game in different ways. And that's me getting my teammates shots instead of me just coming off pin-downs.
If a guy is shooting a shot in the corner 70 percent of the missed shots usually come off that other side and 30 percent hits off the front rim so just playing the percentages and kind of studying your teammates' shots throughout the course of the game.
They were so clever finding ways to get me the ball. They had to do more than just give up open shots. They had to avoid fouls and pass me the ball in traffic.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
There are basically five ways to score in the half court. Layups, mid-range, three-pointers, free throws - and then what I call 'tough shots.' Tough shots come anywhere on the floor, under difficult circumstances. The ability to create that shot is a special skill in the NBA.
If you have one guy taking all of the shots, you're obviously not playing very fast, because you have to slow it down and wait for him to get to his spot in the offense. But when you just want the best shot possible, a lot of different people are going to get the ball.
It's one of my obsessions to come up with ways to reimagine establishing shots in new, non-boring ways. Shots that have energy and excitement.
Just working on stuff off the dribble a lot more. It's helping me create my own shot and freeing me up a little bit, being able to make plays and make shots.
I spend a lot of time in the gym working on moves, working on difficult shots, figuring out ways to create space, becoming a tough-shot taker and a tough shot maker, especially down the stretch.
I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.
I think [Otto Porter Junior] just took a couple tough shots so far - a couple tough jump shots - but I think he has a great mid-range game, he's very tall and can create his shot. So, I think with more spacing he'll get easier shots, I think he'll be fine.
Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.
I got rabies shots for biting the head off a bat but that's OK - the bat had to get Ozzy shots.
Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.
To be a great player and a great scorer, you have to find ways to get yourself open and get shots off. It's a dog fight.
It's been a part of my game for life. It's tougher to finish in the lane so you've got to find different areas to score efficiently and the mid-range contested shot is a shot a lot of teams will live with. And it's a shot I'm willing to live with as well just because I've gotten so many shots at it and I'm comfortable with it.
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