A Quote by Seth Gabel
I was always prepared for my 'Fringe' journey to end immediately. I had only signed up for a guest role but they kept bringing me back in the third season as a recurring character. So pretty much every time I went to film a 'Fringe' episode I kind of said goodbye to the show, but then they kept bringing me back.
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I was always prepared for my Fringe journey to end immediately. I had only signed up for a guest role but they kept bringing me back in the third season as a recurring character. So pretty much every time I went to film a 'Fringe' episode I kind of said goodbye to the show, but then they kept bringing me back.
Really great moral teachers never do introduce new moralities: it is quacks and cranks who do that.... The real job of every moral teacher is to keep on bringing us back, time after time, to the old simple principles which we are all so anxious not to see; like bringing a horse back and back to the fence it has refused to jump or bringing a child back and back to the bit in its lesson that it wants to shirk.
When I came into WWE after Monday Night Wars, it wasn't my greatest time in the business... but they kept bringing me back.
With 'Smoke Signals,' the character was so much like me growing up. I lost my parents, and I wish I'd had an opportunity to find out where they were. So I was reflecting on how I grew up, that feeling of abandonment. That whole film was a reality that I always held back and kept to myself.
I'm truly grateful to the writers of Fringe for giving me that because, over the years, when I've spoken about the character with them, I've always felt that this would be the perfect way to end and complete his journey, and to complete the journey of this series, and they gave it to me.
When you're younger you don't care so much, but as you get older you have a family and stuff like that. But I've always kept my foot in theatre and I've kept my foot in independent film, so I'm really happy going back and forth. So, if I can't find the meaty roles in studio films, then I'll go back and dig up a little independent where I can flex my muscles a little bit.
I read the poem [In a Dark Time by Theodore Roethke] because I was intrigued and had one of those strange senses: "This poem is kind of important to me. I don't know why, but I'm going to just keep it in the back of my mind." I just kept coming back to it. As I started putting the book together and writing the stories for it, this idea of buzzing as a word kept popping up in my brain.
If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.
I'm kind of a homebody, and the rhythm of my thinking and work is starting at home, going out and coming back, bringing back news, bringing back information, applying it.
I had been asked to open a nightclub in Atlantic City. They offered me a ridiculous amount of money. They literally overpaid me. So I did one show a night. Then they asked me back by popular demand. So I went back. Then I said, "To hell with this." I was only doing it for the money, and I was doing easy routines. It's just too much work to get up every day and practice.
I hardly ever go back to Florida. It's really hard to go back. I mean, I hated it so much. I didn't grow up in a great neighborhood, and it puts me back in that feeling of, "I want to get out immediately." That was kind of the push and what still pushes me, that I don't want to end up back there.
I always just had a dream to spend more time with my father. But at the end of the day, my mom was the one who kept me in soccer,who kept me doing my homework, who provided me with meals on a daily basis.
Bringing back stamp collecting and bringing back bridge seems like a pretty good way to fight the modern world.
If I went for a long period in my life where I was unemployed and I was unable to make a living and the only way for me to basically provide for my family was, "Hey, we're bringing Lost back!", then I would probably consider it. But I feel like it would be a betrayal to the fandom, and myself, to do anymore Lost, because we had such an adequate period of time to end the show.
He pointed the gun at me. Then he looked up at my hand & tilted his head slightly. - Journey, he said. I had forgotten I was still holding the book. - Céline, I said back in a whisper. - I love that book. - I'm only halfway through. - Have you got to the point where -- - Hey, kill me, but don't tell me the end!
Abe's face came back into focus. "Greetings, Zmey," I said weakly. Somehow, him being here didn't surprise me. "Nice of you to slither on in." He shook his head, wearing a rueful smile. "I think you've outdone me when it comes to sneaking around dark corners. I thought you were on your way back to Montana." "Next time, make sure you write a few more details into your bargains. Or just pack me up and send me back to the U. S. For real." "Oh," he said, "that's exactly what I intend to do." He kept smiling as he said it, but somehow, I had a feeling he wasn't joking.
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