A Quote by Seth Gabel
I could have been on a path that led to different, more traditional teen romance, and 'Nip/Tuck' shook me loose from any generalization I might have been forced into. It helped me understand I wanted to take on things that were edgier, more challenging and riskier.
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As much as I love acting and I hope to be doing it for a long time, it almost feels more natural for me to be a producer. I came into all of this because I'm a fan of movies and I wanted to find any way I could to be a part of it all. I happened to take the acting route but it could have been a million different ways in. Now that I'm producing it's just really fun for me to work with people that I really admire and put people together who I think will work well together. Just having a little more control.
There are definitely things about acting that have helped me growing up and finding myself, but there are also things that make it a bit more difficult. I guess I do allow myself to explore more when I know that, at the end of the day, if I really wanted to, I could just play a different person all day and be fine with that.
There were a million different things I could have chosen or wanted to do, but the path of an artist was the one that pulled me the most.
I had good coaches and mentors. They helped me a lot, and I trusted them when they tapped on my shoulder to move to the next level. And maybe I've been smart enough to always say yes more than no when I've been proposed a new and challenging jobs.
The moment I began to understand what was going on with the treatment of animals, it led me more and more in the way of the path I am [on] now, which is a complete vegan.
How lovely." The old lady sighed. "An office romance. I always wanted an office romance. Of course I never really had a job, which made the situation more challenging. Oh, I worked on an assembly line during World War II, but there weren't very many men around and as my husband was off serving his country, an office romance would have been unpatriotic, don't you think?--Mrs. Ford
You can describe [Portrait of the Artist as a Shadow of His Former Self] as a manifesto of sorts. I saw it as a pivotal turn, a work that really led me down the avenues that brought me to where I am. That picture was the vehicle that helped me clarify a lot of things and I began to understand that I wanted to do.
In my life there were a lot of situations where I could have been killed or some officer might have been killed chasing me, a lot of things could be different. Now, you know that's experience you can't buy. And it's there in my rearview mirror and I can refer to it in my writing. I have the experience to talk about things some people only imagine.
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
It was you that led me to the musical that's everything to me. You held my hands so that I can enter the world that I could only watch. When I fell, you helped me stand up. When the path was closed, you opened it up. You're that kind of person to me.
I always wanted to be different and do things differently. I was a pain in the neck. I was challenging everything you wanted me to do and challenging people in school.
Master's degree in journalism served several purposes. It helped me to break down and understand scripts. And the discipline of getting my master's gave me a certain amount of confidence. I don't think college is the only path, but I enjoyed it and it worked out very well for me. I had some good friends with whom I could get a little crazy, but still be responsible. It was the perfect bridge from living at home to independence. I also love learning. I might have been a professional student and earned a couple of doctorates, if I didn't have to pay bills.
I've been doing everything I can to reach out and understand why people voted against me. They were trying to send a message. I have to be more sensitive in the way I express myself, and I have to be more thoughtful in the positions I take.
I'm not bragging but I used to be rather beautiful, with lovely legs, and people would always ask me to dance. But suddenly people didn't take any notice of me any more. I was at a party in my 50s and was forced to dance with a chair because nobody wanted to dance with me.
There have been multitudes of times in my career where I could have taken an easier road or a more commercial path, and I've been just like, 'That's not gonna make me happy.'
There's been an amazing backlash for the last decade in America: political correctness. In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been. But traditional Hollywood has been much more frightened than it ever was in the '70s about presenting things that could be perceived as politically incorrect.
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