A Quote by Seth Godin
Why waste a sentence saying nothing?
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When I was younger I used to read everything. 'Why is this guy saying this, why is this article saying this.' That's one of the things Coach Saban has taught me, he does not listen or read anything that's out there at all. He says 'why am I going to waste my time?'
I waste at least an hour every day lying in bed. Then I waste time pacing. I waste time thinking. I waste time being quiet and not saying anything because I'm afraid I'll stutter.
love's just a waste of energy and life's just a waste of time so why don't we get together we could waste everything tonight
I think hope is not simply looking around and saying that everything’s great – that’s just ridiculous. For hope to have substance, it has to acknowledge the pain. But hope is saying that’s not the final story. It’s not saying pain doesn’t exist, but it’s saying there’s not a period at the end of that sentence. It’s still being written.
Writing is linear and sequential; Sentence B must follow Sentence A, and Sentence C must follow Sentence B, and eventually you get to Sentence Z. The hard part of writing isn't the writing; it's the thinking. You can solve most of your writing problems if you stop after every sentence and ask: What does the reader need to know next?
That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with "in" and emphasize it. Get me a jury and show me how you can say
"In July" and I'll go down on you. That's just idiotic, if you'll forgive me for saying so. It's just stupid... "In July"; I'd love to know how you emphasize "In" in "In July". Impossible!
Meaningless!
I have never been able to understand why perfectly sensible people waste time being wittily obscure instead of just saying what they want and going on about their business.
What you feel when you're writing is the relief of thinking: if you write the sentence correctly, you're clarifying. If you write the right sentence, nothing feels as good.
Fluency can be a sign that nothing is happening; fluency can actually be my signal to stop, while being in the dark from sentence to sentence is what convinces me to go on.
I'm not saying we are not to be held accountable. What I'm saying is that we need to appreciate past, if you don't appreciate past, you cannot understand why we are like this, why the churches and mosques are controlling our society, why Africans feel inferior. Why are our girls bleaching or make long hair? They all want to be white, Why are they not proud? Why are we not proud of name, of our clothes?
Talking to my wife, we stare at each other, saying, 'How is this happening? Why is this happening? Why now?' It's nothing I ever aspired to.
I'm not against ambition and reach, but if you can say it in four lines, why waste your time saying it in more? Challenge the world by all means, but it's bad for your poetry to take steroids.
Mother,” Hyacinth said with a great show of solicitude, “you know I love you dearly—” “Why is it,” Violet pondered, “that I have come to expect nothing good when I hear a sentence beginning in that manner?
You just have to believe in what you're saying and be able to explain why you said it. There's nothing I say that I can't back up or at least explain why I came to that conclusion, so I'm not afraid of getting in trouble.
Our job is to make change. Our job is to connect to people, to interact with them in a way that leaves them better than we found them, more able to get where they'd like to go. Every time we waste that opportunity, every page or sentence that doesn't do enough to advance the cause is waste.
The poet wants to ‘say’ something. Why, then, doesn’t he say it directly and fortrightly? Why is he willing to say it only through his metaphors? Through his metaphors, he risks saying it partially and obscurely, and risks saying nothing at all. But the risk must be taken, for direct statement leads to abstraction and threatens to take us out of poetry altogether.
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