A Quote by Seth Godin

The best favors are worth doing for the doing, not because we'll ever get paid back appropriately. — © Seth Godin
The best favors are worth doing for the doing, not because we'll ever get paid back appropriately.
I do what I do because I like doing it. I'm well paid for it. I get far too much adulation compared with what it's worth.
If a thing is worth doing, it is worth doing well. If it is worth having, it is worth waiting for. If it is worth attaining, it is worth fighting for. If it is worth experiencing, it is worth putting aside time for.
That's the trouble with awards for a body of work. They always come at both a good time and a wrong time. Good because they tell you what you've been doing was worth the doing and wrong because they ought to come when you're young and excited and hungry for assurance that what you're doing is worth the doing.
The secret of the truly successful, I believe, is that they learned very early in life how not to be busy. They saw through that adage, repeated to me so often in childhood, that anything worth doing is worth doing well. The truth is, many things are worth doing only in the most slovenly, halfhearted fashion possible, and many other things are not worth doing at all.
Not only have we paid the price with our names in ink, but we have also paid in blood. And they can't say that black people can't be intelligent, because going back to Africa, in Guinea, there are almost 4 million people there and what he, President [Sekou] Toure, is doing to educate the people: as long as the French people had it they weren't doing a thing that is being done now.
Americans think anything you do not get paid for is not worth doing. As a consequence, the things that don't get done are often the most worthwhile.
First make sure that what you aspire to accomplish is worth accomplishing, and then throw your whole vitality into it. What's worth doing is worth doing well. And to do anything well, wheter it be typing a letter or drawing up an agreement involving millions, we must give not only our hands to the doing of it, but our brains, our enthusiasm, the best - all that is in us. The task to which you dedicate yourself can never become a drudgery.
Anything worth doing is worth doing twice, the first time quick and dirty and the second time the best way you can.
Mediocrity is always in a rush; but whatever is worth doing at all is worth doing with consideration. For genius is nothing more nor less than doing well what anyone can do badly.
I might get a break again, and I might get back on telly. If I don't, I'll just keep doing stand-up and doing the best gigs I can.
Don't ever, ever, believe anyone who tells you that you can just get by, by doing the easiest thing possible. Because there's always somebody behind you who really wants to do what you're doing. And they're going to work harder than you if you're not working hard.
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
If actors are making a little film with me at 2am in Nashville, they're not doing it to get paid. They're doing it because there's something special about the characters, which helps the film become more interesting.
All I ever thought was, 'I'm going to do this as long as I can, and if I can't get paid at it, I'll be a bum doing it.' And so, here I am.
It's our job to get into the hardest-to-see places and bring back the best footage - we have the best footage of North Korea ever shot. If that's a stunt, then I'll keep on doing stunts until I die.
Live theatre is great. I loved doing the League live because you get that element of spontaneity, but then when I'm doing live I start to crave the precision of filming. It's a different discipline; it's like a scalpel and you're very precise suddenly. It's scary as well because you think this is it, this is my one go at making it if I can the best it can be, because this is how it's going to be remembered and rendered and left on this film indelibly. And people are going to look back on this and that's that.
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