A Quote by Seth Godin
Artists are people with a genius for finding a new answer, a new connection, or a new way of getting things done.
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To be born again is, as it were, to enter upon a new existence, to have a new mind, a new heart, new views, new principles, new tastes, new affections, new likings, new dislikings, new fears, new joys, new sorrows, new love to things once hated, new hatred to things once loved, new thoughts of God, and ourselves, and the world, and the life to come, and salvation.
New content online no longer requires new stories or information, just new ways of linking things to other things. Or as the social networks might put it to you, 'Jane is now friends with Tom.' The connection has been made; the picture is getting more complete.
It's interesting to find new things with the game. It's fun finding new positions, new openings and new strategies.
One way to think about play, is as the process of finding new combinations for known things--combinations that may yield new formsof expression, new inventions, new discoveries, and new solutions....It's exactly what children's play seems to be about and explains why so many people have come to think that children's play is so important a part of childhood--and beyond.
Models can be people, too. But the only way to do that is to kind of step up and keep doing new things that no one has thought of, from new websites to new blogs, a newscast, doing speeches, talking to kids. It kind of opens a new headline every time: 'Oh, a model hasn't done this before; a model hasn't done that before.'
The big challenge is finding something new without changing completely what you've already done - going deeper into what you've already done and discovering new things while carrying out the same intention.
Genius can probably run on ahead and seek out new ways. But the good artists who follow after genius - and I count myself among these - have to restore the lost connection once more.
For every new guy, you need to change a few things in the way you train, the way you take every fight. For every guy I train for, I prepare differently and learn new things, and I just keep them. That's why it's good to be fighting new people, because you add new things to your arsenal and keep getting better and better all the time.
There must be understanding between the artist and the people. In the best ages of art that has always been the case. Genius can probably run on ahead and seek out new ways. But the good artists who follow after genius — and I count myself among these — have to restore the lost connection once more.
Newness inspires me. New opportunities. New places. New experiences. Learning new things, new skills. New roles!
Most of my work in New York has been on new musicals. And all through the preview process, they throw you new songs, new lyrics, new choreography, new scripts; you're constantly getting new material. You might get it in the morning and put it in the show at night. It happens every single day, so those muscles are pretty toned.
Getting back in the directors chair - there's a sense of like doing something every year. It's not like riding a bike, you're always learning new things, you're gonna face new challenges and when you face new challenges you'll have an answer for them.
When they do bring on new people, it's good for the show. It's like getting a new toy. The writers enjoy it because it's a whole new character that they can write for, one that they aren't used to writing for. They can try different things.
My opinion is that new needs need new techniques. And the modern artists have found new ways and new means of making their statements.
Whenever a new finding is reported to the world people say - It is probably not true. Later on, when the reliability of a new finding has been fully confirmed, people say - OK, it may be true but it has no real significance. At last, when even the significance of the finding is obvious to everybody, people say - Well, it might have some significance, but the idea is not new.
Every day, I have new ideas. It makes my brain tired, so I spend time taking care of company quality, finding new artists, and taking care of the young artists.
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