A Quote by Seth Godin

Nobody says, 'Yeah, I'd like to set myself up for some serious criticism!' And yet, the only way to be remarkable is to do just that. — © Seth Godin
Nobody says, 'Yeah, I'd like to set myself up for some serious criticism!' And yet, the only way to be remarkable is to do just that.
Obama said, basically, "I wouldn't let any son of mine play football, though I do watch." And that struck me as remarkable! It's like he's saying, yeah, let some other set of parents or guardians put their boys up for that kind of punishment (and for my amusement). But not mine! It's just abject hypocrisy from a guy who should know better.
Politically, the world economy really depends on consultants. Because it's also, in a way, an outsourcing of responsibility. They can say, "Yeah, they told us to do that," and the consultant says, "Yeah, but I'm just a consultant," and nobody's responsible anymore.
If you're remarkable, then it's likely that some people won't like you. That's part of the definition of remarkable. Nobody gets unanimous praise - ever. The best the timid can hope for is to be unnoticed. Criticism comes to those who stand out. Playing it safe. Following the rules. They seem like the best ways to avoid failure. Alas, that pattern is awfully dangerous. The current marketing “rules” will ultimately lead to failure. In a crowded marketplace, fitting in is failing. In a busy marketplace, not standing out is the same as being invisible.
When I say myself, I don't mean just as a woman of color, as a girl who's growing up in the Bronx, as people growing up in some way economically-challenged, not growing up with money. It was also even just the way we spoke. The vernacular. I learned that it's alright to say "ain't." My characters can speak the way they authentically are, and that makes for good story. It's not making for good story to make them speak proper English when nobody speaks like that on the playground.
If I'm throwing a no-hitter and someone says, 'Hey, you've got a no-hitter,' obviously I'd be like, 'Yeah, I know.' I just try to be humble. I don't like to talk about myself. I have no problem speaking up when I screw up, but if I'm doing good, people are going to notice. I don't need to talk about it.
I can do more than just stand-up comedy, and the only way I'll be able to show that is if I do it myself. Because nobody trusts that I can do it.
You must always look with both of your eyes and listen with both of your ears. He says this is a very big world and there are many many things you could miss if you are not careful. There are remarkable things all the time, right in front of us, but our eyes have like the clouds over the sun and our lives are paler and poorer if we do not see them for what they are. If nobody speaks of remarkable things, how can they be called remarkable?
It's important for me to say something, and with wisdom if I can. I don't think there's anything wrong with just going out there and having fun and goofing around. I want to experiment with that too. But yeah, I feel like I have a responsibility to produce something hopeful, and maybe inspirational to people. When people come up to be and tell me how my music has changed their lives, that only encourages me to take it more seriously. Sometimes I get annoyed with myself for getting too serious, but that's just what I need to do.
Nobody understands that by the time the addiction has set in the alcoholic is mandated to drink ... he cannot not drink! Nobody wakes up in the morning and says, 'Jiminy Cricket, I feel sensational! My life is really in great shape! I think I'll become an alcoholic!' I firmly believe that when a shaking-to-pieces alcoholic says he needs a drink or he will die, he means it.
I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."
Nobody's cut out for this town," Shane said. "Nobody sane anyway." "Says the kid who came back." "Yeah, kind of proves my point.
I have the worst ear for criticism, even when I have created a stage set I like, I always hear the woman in the back of the dress circle, who says she doesn't like blue.
I have the worst ear for criticism; even when I have created a stage set I like, I always hear the woman in the back of the dress circle who says she doesn't like blue.
Coach Graham rode you pretty hard, didn't he?" he said. I could barely muster a "yeah." That's a good thing," the assistant told me. When you're screwing up and nobody says anything to you anymore, it means they've given up on you.
I think it's hard to compare the NBA and the WNBA, but the thing about the NBA is they just have a ton of movement every year, but the WNBA doesn't. Free agency is not set up that way; the money is obviously not set up that way, so when one player moves, it could set the stage for, literally, like, six or seven years.
I really took filmmaking very seriously... It was an honor and then a crutch also, because at a young age, I was like, I guess I'm a serious filmmaker. I never set out to be a serious filmmaker. I just set out to make movies.
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