A Quote by Seth Godin
I made a decision to write for my readers, not to try to find more readers for my writing.
Related Quotes
I don't consciously try to take my readers on a journey as I don't really think about my readers when I'm writing. I just try to write what I feel passionately about, to tell a story down onto the page.
The decision to write in prose instead of poetry is made more by the readers than by writers. Almost no one is interested in reading narrative in verse.
The readers are the ones who let us live our dreams. I try to write books which are really compelling - that you'd take on vacation and rather than going out, you'd read in your hotel room because you had to find out what happened. Hopefully that's what readers are responding to.
I love the fact that so many of my readers are intelligent, exceptional, accomplished people with an open-minded love of diversity. But even more than that, I love it when my readers find lasting friendship with others of my readers - knowing that they met through their mutual affection for my books and characters makes me happy!
Irish readers, British readers, American readers: is it odd that I haven't a clue about how differently they react? Or better say, I cannot find the words to describe my hunch about them.
People are reading more and writing more because of the internet. So the virtual world is a way for me to listen to my readers and interact with my readers. It is a way that they can voice their opinion.
I believe in books that do not go to a ready-made public. I'm looking for readers I would like to make. To win them, to create readers rather than to give something that readers are expecting. That would bore me to death.
When I write, I have a sort of secret kinship of readers in all countries who don't know each other but each of whom, when they read my book, feels at home in it. So I write for those readers. It's almost a sense of writing for a specific person, but it's a specific person who I don't know.
My theory about writing is that one should write books you'd like to read, but no one else has written yet. So, as long as I stick with that, I'm entertaining myself, and then hopefully my readers as well. I hope to god I realize that I'm repeating myself, if I ever do. But if I don't, I'm sure my readers will let me know.
I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.
The most reward experience is having another writer come up to you and say that they started writing because they read my books. That is how writing as a profession continues: readers becomes writers who inspire new readers.
I figure I write for people who are intelligent enough to do some labor. Lazy readers are not my ideal readers.
When I get about five readers I can rub together in one genre, I leave that genre and go somewhere else. And this is due to a vow that I made myself when I started writing - that if I had any success at all, I would not be bound to one form of writing. That I would write what moves me. The only way I can see me surviving and doing more than one book is to present the readers with a Dan Simmons novel, with whatever tropes and protocols from whatever genre I want to borrow them. If that builds a Dan Simmons readership, well then, okay. Otherwise, forget about it. I'd rather drive a truck.
My relationship with my readers is somewhat theatrical. One of the main things I try to do in my work is delight my readers.
Critics have a problem with sentimentality. Readers do not. I write for readers.
To me, the solidarity of readers is far more important than the solidarity of writers, particularly since readers in fact find ways to connect over a book or books, whatever they may be.
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