A Quote by Seth Grahame-Smith

'Pride and Prejudice' - perhaps more than any other Jane Austen book - is engrained in our literary consciousness. — © Seth Grahame-Smith
'Pride and Prejudice' - perhaps more than any other Jane Austen book - is engrained in our literary consciousness.
Pride and Prejudice' - perhaps more than any other Jane Austen book - is engrained in our literary consciousness.
There would be more genuine rejoicing at the discovery of a complete new novel by Jane Austen than any other literary discovery, short of a new major play by Shakespeare.
I once rented the Georgian town house that Jane Austen lived in down by the Holburne Museum - so I lived in Jane Austen's house, and slept in Jane Austen's bedroom. You can walk along these Georgian streets and it's like you're in a Jane Austen period drama.
How is it that, a full two centuries after Jane Austen finished her manuscript, we come to the world of Pride and Prejudice and find ourselves transcending customs, strictures, time, mores, to arrive at a place that educates, amuses, and enthralls us? It is a miracle. We read in bed because reading is halfway between life and dreaming, our own consciousness in someone else's mind.
'Pride And Prejudice' takes place in a similar period to 'Vanity Fair,' and yet there's a huge difference between Jane Austen and Thackeray.
'Pride and Prejudice' is often compared to 'Cinderella,' but Jane Austen's real 'Cinderella' tale is 'Mansfield Park.'
I remember, when I was a teenager, 'Pride And Prejudice' came out. We hadn't had a period drama for ages, and were all glued to it, and for the next three years, Jane Austen series were being made.
I read "Pride and Prejudice" [by Jane Austen]. I was gobsmacked by it - it's so funny and so modern. Unbelievable. You don't expect funny to come through after 200 years - humor doesn't transcend decades, let alone centuries.
I've been fortunate in that I never actually read any Jane Austen until I was thirty, thus sparing myself several decades of the unhappiness of having no new Jane Austen novels to read.
I'm totally in love with Jane Austen and have always been in love with Jane Austen. I did my dissertation at university on black people in eighteenth-century Britain - so I'd love to do a Jane Austen-esque film but with black people.
But some characters in books are really real--Jane Austen's are; and I know those five Bennets at the opening of Pride and Prejudice, simply waiting to raven the young men at Netherfield Park, are not giving one thought to the real facts of marriage.
For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
I haven't any right to criticize books, and I don't do it except when I hate them. I often want to criticize Jane Austen, but her books madden me so that I can't conceal my frenzy from the reader; and therefore I have to stop every time I begin. Every time I read Pride and Prejudice I want to dig her up and beat her over the skull with her own shin-bone.
I actually didn't like Jane Austen. I was more into the Brontes. They were so wild and passionate. I thought there was something a bit tame about Austen.
Once I started writing the screenplay of 'Bride & Prejudice,' I was convinced Jane Austen was a Punjabi in her previous birth.
Here was a woman about the year 1800 writing without hate, without bitterness, without fear, without protest, without preaching. That was how Shakespeare wrote, I thought, looking at Antony and Cleopatra; and when people compare Shakespeare and Jane Austen, they may mean that the minds of both had consumed all impediments; and for that reason we do not know Jane Austen and we do not know Shakespeare, and for that reason Jane Austen pervades every word that she wrote, and so does Shakespeare.
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