A Quote by Seth Green
I'm open to anything. I always pick projects based on their content. I mean, any time I get to be a part of something that's socially relevant, I'm always interested. And anything that makes me more of a rockstar at Comic-Con is fine by me.
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I'm interested in just about anything that's right for my voice, and that's a good fit for my personality in the part as well. 'Evita' has always been a dream part for me, but it's really, really high to sing. I'd love to do Elphaba - heck, I'd even do Glinda. For me, I'd do anything to get into 'Wicked!'
Going to Comic-Con for me is always hard and weird, so it just makes me feel guilty. There's always a hundre thousand people out there who have copies of things that I've written and they really want signed and they're not going to get them signed.
Comic-Con is always something that we- we love Comic-Con and we generally have a big presence there. So we usually have something to say there, and just as things come together.
I don't think anything surprised me. It was very hard for me, this story, The Snack, as a father. I have family in the army in Israel, I know families that lose their children, and I think this is the most hard thing, is faith. Because what happens after death is always belief, it's always something that you don't have any answers about, and I think the movie helps you to understand that death is part of the life. It makes it more natural.
I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
It's both strategic, to get people's minds off other things, and to pick an internal enemy. It's part of [Donald Trump's] psychodynamics to always care about his press coverage intensely. He's more interested in that than anything else.
I don't think that anyone learns anything. Well, I mean, you do always learn something if you have your eyes and ears open. You do learn something from every outing, every time that you go for it. But for me what actors do is interact and that's why you have to do that.
I have always been interested in how strange it is, when you date someone and break up, and then you both move on and continue your lives. What do you owe them, if anything, for that time intimate time spent together? What does that time mean, if anything?
I just don't trust any of it. Every time I read something about how there's been another ridiculous climb of the Dow Jones, there's a part of me that goes, “This can't be good.” None of this is real money. You know what I mean? It's not like there's actually more of anything. It's just ideas. When people are getting richer and richer but they're not actually producing anything, it can't end well.
I was always taught that anybody and everything is worth spending time and interest on and there's no reason to pass over anything. So it led me in a route that was just hyper awareness of human beings and care and love. So it's made me at least more open to trying anything, doing everything and experiencing all that I can in this little bit of life that we have.
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
How I'm portrayed in films has more to do with the filmmaking and what they need in the story than anything else. I'm the same person I've always been, I just get used in different ways according to the filmmakers' needs - which is fine with me; it makes for great films.
I think whenever you get out and do something different, like mountain biking or surfing, it just makes you more aware of your body and balance. For me, I've always loved anything that involved sports, so I've always just tried different things.
My husband has no desire to work with me; don't get it twisted. He gets paid a lot of money to write giant movies. He's not into humoring me with my projects. But, that being said, I did have the story credit on 'Blades of Glory,' and writing is something that I've always been interested in pursuing more.
I think writers are observers and watchers. We always have our ears open and eyes open, so I might see something in everyday life that inspires me. And I think that's probably more than anything else. Everyday life is where I get my inspiration.
I'm very interested in film, but any more involvement would happen organically. I'm not really seeking anything out, just looking at projects that come up that interest me.
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